left to himself because of the assiduity of the lady's farther partner,
slid his own name-card across and in front of her, to bring her attention
to the fact that it was "his turn."
=ENEMIES MUST BURY HATCHETS=
One inexorable rule of etiquette is that you must talk to your next door
neighbor at a dinner table. You _must_, that is all there is about it!
Even if you are placed next to some one with whom you have had a bitter
quarrel, consideration for your hostess, who would be distressed if she
knew you had been put in a disagreeable place, and further consideration
for the rest of the table which is otherwise "blocked," exacts that you
give no outward sign of your repugnance and that you make a pretence at
least for a little while, of talking together.
At dinner once, Mrs. Toplofty, finding herself next to a man she quite
openly despised, said to him with apparent placidity, "I shall not talk to
you--because I don't care to. But for the sake of my hostess I shall say
my multiplication tables. Twice one are two, twice two are four ----" and she
continued on through the tables, making him alternate them with her. As
soon as she politely could she turned again to her other companion.
=MANNERS AT TABLE=
It used to be an offense, and it still is considered impolite, to refuse
dishes at the table, because your refusal implies that you do not like
what is offered you. If this is true, you should be doubly careful to take
at least a little on your plate and make a pretence of eating some of it,
since to refuse course after course can not fail to distress your hostess.
If you are "on a diet" and accepted the invitation with that stipulation,
your not eating is excusable; but even then to sit with an empty plate in
front of you throughout a meal makes you a seemingly reproachful table
companion for those of good appetite sitting next to you.
=ATTACKING A COMPLICATED DISH=
When a dinner has been prepared by a chef who prides himself on being a
decorative artist, the guest of honor and whoever else may be the first to
be served have quite a problem to know which part of an intricate
structure is to be eaten, and which part is scenic effect!
The main portion is generally clear enough; the uncertainty is in whether
the flowers are eatable vegetables and whether the things that look like
ducks are potatoes, or trimming. If there are six or more, the chances are
they are edible, and that one or two of a kind are
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