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t at least as regards the obviousness of the need) is to give all children a vivid sense of country as physical object, and a deep aesthetic appreciation of this object--although of course this idea of physical country cannot be detached from everything else. Each country has its different problem. Ours is to create a total country, in the imagination of the young. A German writer not long ago predicted that the future of America lay in the direction of breaking up into a little England, a little Ireland, and a little of the other nationalities here represented. That particular danger may seem remote enough, but in another way we do continue to be lacking in unity. Our patriotism has been too local, and America, even after the great war, is to some extent still a collection of geographical regions. New England, the South, the Coast are more real to many than country as a whole. Our great distances, and the impossibility of clearly imagining them have necessarily presented obstacles thus far to a unified image of country. The time may come, and perhaps soon, when such a divided consciousness of country will be a grave flaw in our national life. It must be a serious function of some kind of geography to give reality to the idea of country, although of course we cannot separate entirely geographical from historical idea of country. The teaching of the geography of the native land must be different from other geography. Native land must have a warmth and home feeling about it that other countries do not have, but as yet the psychological conditions for this have apparently not been worked out. With our present facilities in pictorial art, the geographical element in the idea of country seems controllable. The minds of children are exceedingly impressionable in this direction. Intensity of feeling and vividness of imagination are at the disposal of the educator. The love of color, especially, must be used to make lasting impressions upon the mind. We need to notice also that the idea of physical country that enters most into patriotic feeling is not an idea of city streets but of the open country. It is the country that inspires the strongest home feeling, and it is the country that is the basis of the sense of changelessness and eternity of native land, that is a strong element in patriotic sentiment. This element of patriotism, it is plain, is something aesthetic. It is not so much a moral loyalty to country that is insp
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