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that the rights of publishers are inseparably bound up with those of authors, and I regard any attempt to deprive authors of any rights in the property which is the product of their intellectual exertions as "nothing short of a crime equal to that of a highwayman," nor can I submit to remain a member of the Board of Trade without recording my warm dissent from the action of the Council and the Executive. I object emphatically to our taking the law into our own hands, and fixing what we may be pleased to think is _a reasonable price_ to be paid authors for their property, merely because it is the product of their intellectual labours. I am satisfied to accept the Canadian law as it is, and to abide by its provisions if they are fairly construed. I maintain that the subject of copyright is abstruse, and is not to be mastered in a few days or in a few months. Long as this letter is, I have stated only a single phase of the question. I could better have dealt with the matter in a short address, and I very much regret that the Executive of the Council did not afford me the opportunity of appearing before them when I asked it. Had this been done, I feel satisfied that the Board would not have been committed to the proposals the Council are now engaged in advancing, nor would the Board have been subjected in England, as it already has been, to the criticisms of those who understand the copyright question, and with some indignation resent the course of the Board in advancing reasons for its action which are not in accordance with the real facts. I am, Sir, Yours truly, GEORGE N. MORANG End of Project Gutenberg's The Copyright Question, by George N. Morang *** END OF THIS PROJECT GUTENBERG EBOOK THE COPYRIGHT QUESTION *** ***** This file should be named 14673.txt or 14673.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.net/1/4/6/7/14673/ Produced by Wallace McLean, Melissa Er-Raqabi and the PG Distributed Proofreaders Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying an
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