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Alderson. The 44 stalls were given by Archbishop Magee, Lady Elizabeth Villiers (7), Lady Louisa Wells, Mr H.P. Gates, Friends of Canon Clayton, Family of Canon Pratt, Hon. Canon Willes, Hon. Canon Twells, an ex-chorister of the cathedral, Mr James Bristow, Mr. W.U. Heygate, Mr S.G. Stopford-Sackville, Mrs Yard, Mr J.D. Goodman, Miss Pears, Mrs Perry Herrick, Mrs W.L. Collins and Mrs H.L. Hansel, Mr Albert Pell, Mrs Dawson Rowley, The Mayor and Corporation, Mr F. James, the Freemasons of England (3), Friends of Lady Isham and Miss Perowne (2), Rev. W.R.P. Waudby, Mr G.L. Watson, Major-General Sotheby, Mrs Hunt, Rev. A. Redifer, Mr J.G. Dearden, Mrs Percival, the Misses Broughton, Rev. S.A.T. Yates (in memory of Mr Charles Davys Argles), Rev. W.H. Cooper, Mr T.A. Argles, Mrs Argles. The choir aisles are vaulted; the section of the vaulting ribs is much heavier than in the aisles of the nave, and shews an earlier date. It has recently been discovered that these aisles, contrary to what was usually believed, were terminated with apses and were not square-ended. In the south aisle is traced on the floor the position of the old semicircular ending. The windows here were altered at the same time as those in the nave aisles: but in the north choir aisle the windows were taken out and arches formed leading to the passage between this aisle and the Lady Chapel, the most western arch being Perpendicular: in the seventeenth century, when the Lady Chapel was pulled down, these arches were again filled up with masonry and windows. The third window in this aisle has escaped alteration in form; but Perpendicular tracery has been inserted. The eastern ends of both aisles were altered in Early English times. They have now a groined roof of one bay of that period, and very handsome double piscinas. The aumbry on the north side in the south choir aisle has been glazed, and is utilised as a cupboard to hold some curiosities. In the north choir aisle there is an approach to the morning chapel through a screen; but in the south choir aisle the corresponding space is filled by a Norman monumental arch. =The New Building= built beyond the apse is a very noble specimen of late Perpendicular work. It was begun by Abbot Richard Ashton (1438-1471), and completed by Abbot Robert Kirton (1496-1528): the works seem to have been suspended between these periods. The roof has the beautiful fan tracery, very similar on a smaller scale to that at Kin
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