ter ages link to these?
His who, beside the wild encircling seas,
Was England's voice, her voice with one acclaim,
For threescore years; whose word of praise was fame,
Whose scorn gave pause to man's iniquities.
II
What strain was his in that Crimean war?
A bugle-call in battle; a low breath,
Plaintive and sweet, above the fields of death!
So year by year the music rolled afar,
From Euxine wastes to flowery Kandahar,
Bearing the laurel or the cypress wreath.
III
Others shall have their little space of time,
Their proper niche and bust, then fade away
Into the darkness, poets of a day;
But thou, O builder of enduring rhyme,
Thou shalt not pass! Thy fame in every clime
On earth shall live where Saxon speech has sway.
IV
Waft me this verse across the winter sea,
Through light and dark, through mist and blinding sleet,
O winter winds, and lay it at his feet;
Though the poor gift betray my poverty,
At his feet lay it; it may chance that he
Will find no gift, where reverence is, unmeet.
[Illustration: _POETRY_.
Photogravure from a painting by C. Schweninger.]
SWEETHEART, SIGH NO MORE
It was with doubt and trembling
I whispered in her ear.
Go, take her answer, bird-on-bough,
That all the world may hear--
_Sweetheart, sigh no more_!
Sing it, sing it, tawny throat,
Upon the wayside tree,
How fair she is, how true she is,
How dear she is to me--
_Sweetheart, sigh no more_!
Sing it, sing it, and through the summer long
The winds among the clover-tops,
And brooks, for all their silvery stops,
Shall envy you the song--
_Sweetheart, sigh no more!_
BROKEN MUSIC
"A note
All out of tune in this world's instrument."
AMY LEVY.
I know not in what fashion she was made,
Nor what her voice was, when she used to speak,
Nor if the silken lashes threw a shade
On wan or rosy cheek.
I picture her with sorrowful vague eyes,
Illumed with such strange gleams of inner light
As linger in the drift of London skies
Ere twilight turns to night.
I know not; I conjecture. 'Twas a girl
That with her own most gentle desperate hand
From out G
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