and the value of tradition in the world. Some
subjects, like the Arthurian Legends, the Nibelungen Lied, the Holy
Grail, Provencal Poetry, the Chansons and Romances, and the Gesta
Romanorum, receive a similar treatment. Single poems upon which the
authors' title to fame mainly rests, familiar and dear hymns, and
occasional and modern verse of value, are also grouped together under an
appropriate heading, with reference in the Index whenever the poet
is known.

It will thus be evident to the reader that the Library is fairly
comprehensive and representative, and that it has an educational value,
while offering constant and varied entertainment. This comprehensive
feature, which gives the Work distinction, is, however, supplemented by
another of scarcely less importance; namely, the critical interpretive
and biographical comments upon the authors and their writings and their
place in literature, not by one mind, or by a small editorial staff, but
by a great number of writers and scholars, specialists and literary
critics, who are able to speak from knowledge and with authority. Thus
the Library becomes in a way representative of the scholarship and wide
judgment of our own time. But the essays have another value. They give
information for the guidance of the reader. If he becomes interested in
any selections here given, and would like a fuller knowledge of the
author's works, he can turn to the essay and find brief observations and
characterizations which will assist him in making his choice of books
from a library.

The selections are made for household and general reading; in the belief
that the best literature contains enough that is pure and elevating and
at the same time readable, to satisfy any taste that should be
encouraged. Of course selection implies choice and exclusion. It is
hoped that what is given will be generally approved; yet it may well
happen that some readers will miss the names of authors whom they desire
to read. But this Work, like every other, has its necessary limits; and
in a general compilation the classic writings, and those productions
that the world has set its seal on as among the best, must predominate
over contemporary literature that is still on its trial. It should be
said, however, that many writers of present note and popularity are
omitted simply for lack of space. The editors are compelled to keep
constantly in view the wider field. The general purpose is to give only
literature;