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bute. Why do we this? To make it a _whole_,--not to the eye, but to the mind. Nor is this general disposition to find a coincidence between a fair exterior and moral excellence altogether unsupported by facts of, at least, a partial realization. For, though a perfect correspondence cannot be looked for in a state where all else is imperfect, he is most unfortunate who has never met with many, and very near, approximations to the desired union. But we have a still stronger assurance of their predetermined affinity in the peculiar activity of this desire where there is no such approximation. For example, when we meet with an instance of the higher virtues in an unattractive form, how natural the wish that that form were beautiful! So, too, on beholding a beautiful person, how common the wish that the mind it clothed were also good! What are these wishes but unconscious retrospects to our primitive nature? And why have we them, if they be not the workings of that universal law, which gathers to itself all scattered affinities, bodying them forth in the never-ending forms of harmony,--in the flower, in the tree, in the bird, and the animal,--if they be not the evidence of its continuous, though fruitless, effort to evolve too in _man_ its last consummate work, by the perfect confluence of the body and the spirit? In this universal yearning (for it seems to us no less) to connect the physical with its appropriate moral,--to say nothing of the mysterious intuition that points to the appropriate,--is there not something like a clew to what was originally natural? And, again, in the never-ceasing strivings of the two great elements of our being, each to supply the deficiencies of the other, have we not also an intimation of something that _once was_, that is now lost, and would be recovered? Surely there must be more in this than a mere concernment of Art;--if, indeed, there be not in Art more of the prophetic than we are now aware of. To us it seems that this irrepressible desire to find the good in the beautiful, and the beautiful in the good, implies an end, both beyond and above the trifling present; pointing to deep and dark questions,--to no less than where the mysteries which surround us will meet their solution. One great mystery we see in part resolving itself here. We see the deformities of the body sometimes giving place to its glorious tenant. Some of us may have witnessed this, and felt the spiritual presence gai
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