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successful speeches delivered in the senate, in the courts, or at
funerals; the means of publication were easy, as a consequence of the
number of Greek slaves who could act as copyists, and thus oratory
formed the basis of a prose literature which is essentially
Roman,[165] rooted in the practical necessities of the life of the
Roman noble, though deeply tinged with the Greek ideas and forms of
expression acquired in the process of education in vogue. Treatises on
rhetoric, the art of effective expression in prose, form an important
part of it; two of them still survive from the time of Sulla,--the
_Rhetorica ad Herennium_ of an unknown author, and Cicero's early
treatise _de Inventione_. Later on Cicero wrote his admirable dialogue
_de Oratore_ and other works on the same subject, ending with his
_Brutus_, a catalogue raisonnee, invaluable to us, of all the great
Roman orators down to his own time.
In history writing the standard was not so high. The rhetorical
education made men good professional orators, but indifferent and
dilettante historians, and the example of more accurate historical
investigation and reflection set by Polybius was not followed, except
perhaps by Caelius Antipater in the Gracchan age.[166] History was
affected for the worse by the rhetorical art, as indeed poetry was
destined also to be; Sallust, though we owe much to him, was in fact
an amateur, who thought more of style and expression than of truth
and fact. Caesar, who did not profess to be a historian, but only to
provide the materials for history,[167] stands alone in making facts
more important than words, and rarely troubles his reader with
speeches or other rhetorical superfluities.[168] Biographies and
autobiographies were fashionable; of the former only those of
Cornelius Nepos, one of Cicero's many friends, have come down to us,
and none of the latter, but we know a long list of eminent men who
wrote their own memoirs, including Catulus the elder, Rutilius the
famous victim of equestrian judges, Sulla, and Lucullus. But far above
all other prose writers of the age stand two men, neither of them
Roman by birth, but yet members of the senatorial order; the one a man
of encyclopaedic learning, with what we may almost call a scientific
interest in the subjects which he treated in awkward and homely Latin,
the other a man of comparatively little learning, but gifted with so
exquisite a sense of the beautiful in expression, and at the
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