FREE BOOKS

Author's List




PREV.   NEXT  
|<   179   180   181   182   183   184   185   186   187   188   189   190   191   192   193   194   195   196   197   198   199   200   201   202   203  
204   205   206   207   208   209   210   211   212   213   214   215   216   217   218   219   220   221   222   223   224   225   226   227   228   >>   >|  
n a Prayer-book of the Fifteenth Century, in the National Library of Paris.] [Illustration: Fig. 184.--Dance by Torchlight, a Scene at the Court of Burgundy.--From a Painting on Wood of 1463, belonging to M. H. Casterman, of Tournai (Belgium).] Dancing lost much of its simplicity and harmlessness when masquerades were introduced, these being the first examples of the ballet. These masquerades, which soon after their introduction became passionately indulged in at court under Charles VI., were, at first, only allowed during Carnival, and on particular occasions called _Charivaris_, and they were usually made the pretext for the practice of the most licentious follies. These masquerades had a most unfortunate inauguration by the catastrophe which rendered the madness of Charles VI. incurable, and which is described in history under the name of the _Burning Ballet_. It was on the 29th of January, 1393, that this ballet made famous the festival held in the Royal Palace of St. Paul in Paris, on the occasion of the marriage of one of the maids of honour of Queen Isabel of Bavaria with a gentleman of Vermandois. The bride was a widow, and the second nuptials were deemed a fitting occasion for the Charivaris. [Illustration: Fig. 185.--The Burning Ballet.--Fac-simile of a Miniature in the Manuscript of the "Chroniques" of Froissart (Fifteenth Century), in the National Library of Paris.] A gentleman from Normandy, named Hugonin de Grensay, thought he could create a sensation by having a dance of wild men to please the ladies. "He admitted to his plot," says Froissart, "the king and four of the principal nobles of the court. These all had themselves sewn up in close-fitting linen garments covered with resin on which a quantity of tow was glued, and in this guise they appeared in the middle of the ball. The king was alone, but the other four were chained together. They jumped about like madmen, uttered wild cries, and made all sorts of eccentric gestures. No one knew who these hideous objects were, but the Duke of Orleans determined to find out, so he took a candle and imprudently approached too near one of the men. The tow caught fire, and the flames enveloped him and the other three who were chained to him in a moment." "They were burning for nearly an hour like torches," says a chronicler. "The king had the good fortune to escape the peril, because the Duchesse de Berry, his aunt, recognised him, and had the presence of m
PREV.   NEXT  
|<   179   180   181   182   183   184   185   186   187   188   189   190   191   192   193   194   195   196   197   198   199   200   201   202   203  
204   205   206   207   208   209   210   211   212   213   214   215   216   217   218   219   220   221   222   223   224   225   226   227   228   >>   >|  



Top keywords:

masquerades

 

Charles

 

ballet

 
Library
 

National

 
Century
 

Charivaris

 

Burning

 

chained

 

Ballet


Fifteenth

 

occasion

 

Illustration

 

gentleman

 

fitting

 
Froissart
 

admitted

 

ladies

 
appeared
 

middle


Grensay

 

thought

 

sensation

 

principal

 

nobles

 

quantity

 

create

 
covered
 

garments

 

burning


torches
 

moment

 
caught
 

flames

 

enveloped

 

chronicler

 
recognised
 

presence

 

Duchesse

 

fortune


escape

 

eccentric

 

gestures

 

uttered

 
jumped
 

madmen

 

hideous

 
objects
 

candle

 

imprudently