FREE BOOKS

Author's List




PREV.   NEXT  
|<   167   168   169   170   171   172   173   174   175   176   177   178   179   180   181   182   183   184   185   186   187   188   189   190   191  
192   193   194   195   196   197   198   199   200   201   202   203   204   205   206   207   208   209   210   211   212   213   214   215   216   >>   >|  
Sire de Joinville" this passage, which is, perhaps, an interpolation from a contemporary document: "St. Louis drove from his kingdom all tumblers and players of sleight of hand, through whom many evil habits and tastes had become engendered in the people." A troubadour's story of this period shows that the jugglers wandered about the country with their trained animals nearly starved; they were half naked, and were often without anything on their heads, without coats, without shoes, and always without money. The lower orders welcomed them, and continued to admire and idolize them for their clever tricks (Fig. 173), but the bourgeois class, following the example of the nobility, turned their backs upon them. In 1345 Guillaume de Gourmont, Provost of Paris, forbad their singing or relating obscene stories, under penalty of fine and imprisonment. [Illustration: Fig. 173.--Jugglers performing in public.--From a Miniature of the Manuscript of "Guarin de Loherane" (Thirteenth Century).--Library of the Arsenal, Paris.] Having been associated together as a confraternity since 1331, they lived huddled together in one street of Paris, which took the name of _Rue des Jougleurs_. It was at this period that the Church and Hospital of St. Julian were founded through the exertions of Jacques Goure, a native of Pistoia, and of Huet le Lorrain, who were both jugglers. The newly formed brotherhood at once undertook to subscribe to this good work, and each member did so according to his means. Their aid to the cost of the two buildings was sixty livres, and they were both erected in the Rue St. Martin, and placed under the protection of St. Julian the Martyr. The chapel was consecrated on the last Sunday in September, 1335, and on the front of it there were three figures, one representing a troubadour, one a minstrel, and one a juggler, each with his various instruments. The bad repute into which jugglers had fallen did not prevent the kings of France from attaching buffoons, or fools, as they were generally called, to their households, who were often more or less deformed dwarfs, and who, to all intents and purposes, were jugglers. They were allowed to indulge in every sort of impertinence and waggery in order to excite the risibility of their masters (Figs. 174 and 175). These buffoons or fools were an institution at court until the time of Louis XIV., and several, such as Caillette, Triboulet, and Brusquet, are better known in hist
PREV.   NEXT  
|<   167   168   169   170   171   172   173   174   175   176   177   178   179   180   181   182   183   184   185   186   187   188   189   190   191  
192   193   194   195   196   197   198   199   200   201   202   203   204   205   206   207   208   209   210   211   212   213   214   215   216   >>   >|  



Top keywords:

jugglers

 

troubadour

 

buffoons

 

period

 

Julian

 
Martyr
 
chapel
 

protection

 

Pistoia

 

Martin


native

 

Jacques

 

consecrated

 

September

 
Sunday
 

exertions

 

undertook

 

brotherhood

 

formed

 
livres

member
 

subscribe

 
Lorrain
 

buildings

 

erected

 

masters

 
risibility
 

excite

 

impertinence

 

waggery


institution

 

Brusquet

 

Triboulet

 

Caillette

 

indulge

 

allowed

 

repute

 

fallen

 

prevent

 

instruments


representing

 

figures

 

minstrel

 

juggler

 

founded

 

France

 

dwarfs

 
deformed
 

intents

 

purposes