enna, who are in general handsome and well made,
and who dress well, and their lovers and admirers. The _Prater_ was first
opened to the public by the Emperor Joseph II. The _Au-garten_ is another
place of recreation and amusement, but on a smaller and much more tranquil
and sober scale, than the _Prater_. None of the lower classes think of
coming here, tho' it is open to every body decently dressed: there is not
that profuse eating and drinking going forward. It is more properly
speaking a promenade, and forms a garden with alleys of trees where music
is often performed and there is a superb saloon where refreshments may be
had. The _Au-garten_ is frequented chiefly by the _Noblesse_ and _Haute
Bourgeoisie_. In the morning likewise it is a fashionable resort to drink
the mineral waters. It adjoins the _Prater_, being on the same island. It
was the favourite lounge of Joseph II, who opened it to the public by
affixing this inscription on one of the gates:
Allen Menschen gewidmete Erlustigung von ihrem Schaetzer
"Place of recreation open to all Men by their esteemer."
VIENNA, Aug. 13th.
There are a great number of theatres at Vienna. Two are situated in the old
town, viz., the _Hof-theater_ and the _Burg-theater_. The _Hof-theater_ is
only open when the Court are at Vienna, and they are now at Baden, ten
leagues distant. The _Burg-theater_ is open all the year round, and may be
considered as the national theatre. It is much frequented by the
bourgeoisie and inhabitants of the old town, who do not chuse to take the
trouble to go to the _Wieden-theater_, which is situated in the faubourgs,
and which is more of a classical and fashionable theatre than the other,
inasmuch as it is more elegantly and classically built, better fitted up,
and has a far better company of comedians. At the _Burgtheater_ I saw
Kotzebue's _Edelsinn und Armuth_ performed. The Wieden theatre which is, as
I have said, in the faubourgs, is the handsomest theatre perhaps in Europe
for its size. It is not large, but it is fitted up with so much taste and
you see and hear so well; every ornament is so chaste and there is nothing
at all tawdry or superfluous. It is, I really think, a model of what every
theatre ought to be. There is a good deal of bronze about it which gives it
a classical appearance, and the boxes are supported by Caryatides in
bronze. There is a peculiarity in all the theatres at Vienna, which is,
that in the _parterre_ you m
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