to form a civic guard for the
protection of their property. As to the Vandalism shewn during the reign of
Terror, and I by no means seek to palliate it, that was of short duration,
it was madness, if you will, but it was disinterested--and other nations
who talk a great deal about their superior morality would do well to look
at home. They would there observe, in their own historic page, that the
atrocities of the French Revolution have not only been equalled but
surpassed perhaps by more dreadful scenes committed at Wexford in 1798,
under the auspices of the Government then ruling Ireland and which the
noble and virtuous ----[35] disdained to serve.

Excuse this long digression, but I feel it my duty to open the eyes of my
countrymen and prevent them from supporting on all occasions the unjust
acts of their Government, which reflect dishonour on a great and
enlightened nation; which can boast, among its annals, of some of the most
heroic, splendid, and disinterested characters that ever the world
produced.

All that I need add on the subject of the statues and pictures is, that
putting out of the question the justice or injustice of the restitution, it
will be a great loss to England and to English artists in particular,
should they be removed: many an artist can afford to make a trip to Paris,
who would find it beyond his means to make a journey to Florence or Rome.

If these objects of art are to be taken away, it should be stipulated so in
the treaty of peace; and then everybody would understand it. This would be
putting it on the fairest footing. You then say to France: "You gained
these things by conquest; you lose them by defeat"; but for God's sake let
us have no more of that _cant_ about revolutionary robberies!

PARIS, ----

I went for the first time to the Grand Opera, or, as it is here called, the
Academie Royale de Musique, which is in the Rue de Richelieu. _Armida_ was
the piece performed, the music by Glueck. The decorations were splendid and
the dancing beyond all praise. The scenes representing the garden of Armida
and the nymphs dancing fully expressed in the mimic art those beautiful
lines of Tasso:

Cogliam d'amor la rosa! amiamo or, quando
Esser si puote riamato amando![36]

The effect of the dissolution of the palace and gardens by the waving of
Armida's wand is astonishing; it appears completely to be the work of
inchantment, from the rapidity of execution which follows the _potentis