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s for us a singular and exceptional interest. It was a statue of George Stephenson, to be erected at Liverpool. Thus, by a curious coincidence, the Liverpool stone-cutter was set to immortalize the features and figure of the Killingworth engine-man. Did those two great men, as they sat together in one room, sculptor and sitter, know one another's early history and strange struggles, we wonder? Perhaps not; but if they did, it must surely have made a bond of union between them. At any rate, Gibson greatly admired Stephenson, just as he had admired the Stelvio road. "I will endeavour to give him a look capable of action and energy," he said; "but he must be contemplative, grave, simple. He is a good subject. I wish to make him look like an Archimedes." If Gibson admired Stephenson, however, he did not wholly admire Stephenson's railways. The England he had left was the England of mail-coaches. In Italy, he had learnt to travel by carriage, after the fashion of the country; but these new whizzing locomotives, with their time-tables, and their precision, and their inscrutable mysteries of shunts and junctions, were quite too much for his simple, childish, old-world habits. He had a knack of getting out too soon or too late, which often led him into great confusion. Once, when he wanted to go to Chichester, he found himself landed at Portsmouth, and only discovered his mistake when, on asking the way to the cathedral, he was told there was no cathedral in the town at all. Another story of how he tried to reach Wentworth, Lord Fitzwilliam's place, is best told in his own words. "The train soon stopped at a small station, and, seeing some people get out, I also descended; when, in a moment, the train moved on--faster and faster--and left me standing on the platform. I walked a few paces backward and forward in disagreeable meditation. 'I wish to Heaven,' thought I to myself, 'that I was on my way back to Rome with a postboy.' Then I observed a policeman darting his eyes upon me, as if he would look me through. Said I to the fellow, 'Where is that cursed train gone to? It's off with my luggage and here am I.' The man asked me the name of the place where I took my ticket. 'I don't remember,' said I. 'How should I know the name of any of these places?--it's as long as my arm. I've got it written down somewhere.' 'Pray, sir,' said the man, after a little pause, 'are you a foreigner?' 'No,' I replied, 'I am n
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