.'

This was a full explanation of his mannerism; but the fact that a man
with the desire for chess should have grown up without being able to
see or engage in a game astonished her not a little. She pondered on the
circumstance for some time, looking into vacancy and hindering the play.

Mr. Swancourt was sitting with his eyes fixed on the board, but
apparently thinking of other things. Half to himself he said, pending
the move of Elfride:

'"Quae finis aut quod me manet stipendium?"'

Stephen replied instantly:

'"Effare: jussas cum fide poenas luam."'

'Excellent--prompt--gratifying!' said Mr. Swancourt with feeling,
bringing down his hand upon the table, and making three pawns and a
knight dance over their borders by the shaking. 'I was musing on those
words as applicable to a strange course I am steering--but enough of
that. I am delighted with you, Mr. Smith, for it is so seldom in this
desert that I meet with a man who is gentleman and scholar enough to
continue a quotation, however trite it may be.'

'I also apply the words to myself,' said Stephen quietly.

'You? The last man in the world to do that, I should have thought.'

'Come,' murmured Elfride poutingly, and insinuating herself between
them, 'tell me all about it. Come, construe, construe!'

Stephen looked steadfastly into her face, and said slowly, and in a
voice full of a far-off meaning that seemed quaintly premature in one so
young:

'Quae finis WHAT WILL BE THE END, aut OR, quod stipendium WHAT FINE,
manet me AWAITS ME? Effare SPEAK OUT; luam I WILL PAY, cum fide WITH
FAITH, jussas poenas THE PENALTY REQUIRED.'

The vicar, who had listened with a critical compression of the lips to
this school-boy recitation, and by reason of his imperfect hearing had
missed the marked realism of Stephen's tone in the English words, now
said hesitatingly: 'By the bye, Mr. Smith (I know you'll excuse my
curiosity), though your translation was unexceptionably correct and
close, you have a way of pronouncing your Latin which to me seems most
peculiar. Not that the pronunciation of a dead language is of much
importance; yet your accents and quantities have a grotesque sound to
my ears. I thought first that you had acquired your way of breathing the
vowels from some of the northern colleges; but it cannot be so with
the quantities. What I was going to ask was, if your instructor in the
classics could possibly have been an Oxford or Cambridge man?'

'Yes; h