FREE BOOKS

Author's List




PREV.   NEXT  
|<   131   132   133   134   135   136   137   138   139   140   141   142   143   144   145   146   147   148   149   150   151   152   153   154   155  
156   157   158   159   160   161   162   163   164   165   166   167   168   169   170   171   172   173   174   175   176   177   178   179   180   >>   >|  
mours of Parliament," with my imitations of ranting M.P.'s--nearly a two hours' tearing recitation--to large audiences every night, was perhaps sufficient for one man. The excitement of the success I made, the "booming," interviewing, and unavoidable entertainment at every town, the late hours, the early start, the business worries, fresh to each place, day after day, week after week, can only be understood by those who have gone through it. But this was only part of my work. Each week as I travelled I had to keep up my contributions to _Punch_--a whole page and several small drawings. I also wrote an article, fully illustrated, on every town I went to week by week for _Black and White_ (subsequently reprinted in book form, "On Tour"), to say nothing of drawing in the train. Let me briefly give a fair average of one day's work at the time: [Illustration: REDUCTION OF A PAGE DRAWING FOR _PUNCH_ MADE BY ME WHILST TRAVELLING BY TRAIN.] _Morning._--Start 9.30 train, eight hours' journey,--means up at seven, breakfast at eight. In train dictate letters to secretary, who takes down in shorthand. (I never yet found a secretary who could write in a train. I can write quite easily; the secret is to _sit up_, holding pad in hand, and let the body move with the oscillation of the train. To write on your knee or on a table, or in any other way but this, is impossible.) 3.30 arrive at destination; go to hotel and order dinner. Then to my "travelling studio"--a large case fitted up with everything necessary for drawing in black and white. Straight to private sitting-room, order dinner to be ready in half-an-hour, at work at once--before the others and the luggage arrive. After light dinner, to hall or theatre to see if arrangements are complete. Then visit from local manager or secretary--friends--strangers, a walk round the town to get "copy," tea, a good hour's drawing (no matter how tired I can work on tea), dress, off to evening's work on stage; autographs to be written and people to meet; back to change, supper at some club, speeches; back 3 a.m., bed, sleep--no, only occasionally. Hotel servants turn on electric light, begin sweeping the passage--sw--w--w--whish, sw--w--w--whish! they chat and laugh just outside one's door; they gradually sweep down the long, long passage. Doze--sleep. Bang, bang! "Five o'clock, sir." Bang, bang! the Boots awakening commercial men for early trains. Thump, thump! baggage packing-room over y
PREV.   NEXT  
|<   131   132   133   134   135   136   137   138   139   140   141   142   143   144   145   146   147   148   149   150   151   152   153   154   155  
156   157   158   159   160   161   162   163   164   165   166   167   168   169   170   171   172   173   174   175   176   177   178   179   180   >>   >|  



Top keywords:
dinner
 

drawing

 

secretary

 
passage
 

arrive

 

theatre

 

luggage

 

manager

 

complete

 

arrangements


private

 
destination
 

fitted

 
friends
 
travelling
 

studio

 

impossible

 

sitting

 

Straight

 

gradually


electric

 

sweeping

 

baggage

 

packing

 

trains

 
awakening
 

commercial

 

servants

 

evening

 

matter


autographs

 

written

 
speeches
 

occasionally

 

people

 

change

 

supper

 

strangers

 

travelled

 

understood


contributions
 
article
 

illustrated

 

drawings

 

tearing

 
recitation
 

audiences

 
Parliament
 
imitations
 

ranting