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would soon return safely to us. Dr. Kent is an old man now, unnaturally old, with, it seems, the full weight of eighty years pressing upon him. He cannot stand this emotion. I think he is despairingly summoning strength to work upon his drugs, fearful that at any moment, he will not be equal to it. Yet more fearful to disclose the secret and unloose such a diabolic power. There are nights when with Dr. Kent asleep, Babs and I slip away and go to the Museum. We dismiss the guard for a time, and in that private room we sit by the microscope to watch. The fragment of golden quartz lies on its clean white slab with a brilliant light upon it. Mysterious little golden rock! What secrets are there, down beyond the vanishing point in the realm of the infinitely small? Our human longings go to Alan and Glora. But sometimes we are swept by the greater viewpoint. Awed by the mysteries of nature, we realize how very small and unimportant we are in the vast scheme of things. We envisage the infinite reaches of astronomical space overhead. Realms of largeness unfathomable. And at our feet, everywhere, a myriad entrances into the infinitely small. With ourselves in between--with our fatuous human consciousness that we are of some importance to it all! Truly there are more things in Heaven and Earth than are dreamed of in our philosophy! Transcriber's Note: This etext was first published in _Astounding Stories_ March 1931. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed. Minor spelling and typographical errors have been corrected without note. End of the Project Gutenberg EBook of Beyond the Vanishing Point, by Raymond King Cummings *** END OF THIS PROJECT GUTENBERG EBOOK BEYOND THE VANISHING POINT *** ***** This file should be named 22527.txt or 22527.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/2/2/5/2/22527/ Produced by Greg Weeks, Stephen Blundell and the Online Distributed Proofreading Team at http://www.pgdp.net Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set fort
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