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nd since his death it has been reprinted in a sixpenny form; it has penetrated far and wide through all classes, and it is now, I suppose, one of the most popular and most influential of the books that were published in England in the second quarter of the century. Such a contrast between the first reception and the later judgment of a book is very remarkable, and it applies more or less to all Carlyle's earlier writings. It is a memorable fact in the literary history of the nineteenth century that one of the greatest and most industrious writers in England lived for many years in such poverty that he often thought of abandoning literature and emigrating to the colonies, and he would probably have done so if he had not found in public lecturing a means of supplying his frugal wants. The cause of this long-continued neglect is partly, no doubt, to be found in his style, for, like Browning, Carlyle wrote an English which was so contorted and sometimes so obscure that his readers had to be slowly educated into understanding, or at least enjoying, it. But there are other and deeper causes which I propose to devote the short time at my disposal to indicating. It has been truly said that there are two great classes among writers. There are those who are echoes and there are those who are voices. There are some writers who represent faithfully and express strongly the dominant tendencies, opinions, habits, characteristics of their age, collecting as in a focus the half-formed thoughts that are prevailing around them, giving them an articulate voice, and by the force of their advocacy greatly strengthening them. There are others who either start new ways of thinking for which the public around them are still unprepared, or who throw themselves in opposition to the dominant tendencies of their times, pointing out the evils and dangers connected with them, and dwelling specially on neglected truths. It is not surprising that the first class are by far the most popular. The public is much like Narcissus in the fable, who fell in love with his own reflection in the water. All men like to find their own opinions expressed with a power and eloquence they cannot themselves attain, and most men dislike a writer who, in the first flush of a great enthusiasm, points out all that can be said on the other side. But when the first enthusiasm is over--when the prevailing tendency has fully triumphed and the evils and defects connected wi
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