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page of the Georgics where to-morrow's lesson began. It opened with the melancholy reflection that, in the lives of mortals, the best days are the first to flee. "Optima dies {~HORIZONTAL ELLIPSIS~} prima fugit." I turned back to the beginning of the third book, which we had read in class that morning. "Primus ego in patriam mecum {~HORIZONTAL ELLIPSIS~} deducam Musas"; "for I shall be the first, if I live, to bring the Muse into my country." Cleric had explained to us that "patria" here meant, not a nation or even a province, but the little rural neighborhood on the Mincio where the poet was born. This was not a boast, but a hope, at once bold and devoutly humble, that he might bring the Muse (but lately come to Italy from her cloudy Grecian mountains), not to the capital, the palatia Romana, but to his own little "country"; to his father's fields, "sloping down to the river and to the old beech trees with broken tops." Cleric said he thought Virgil, when he was dying at Brindisi, must have remembered that passage. After he had faced the bitter fact that he was to leave the AEneid unfinished, and had decreed that the great canvas, crowded with figures of gods and men, should be burned rather than survive him unperfected, then his mind must have gone back to the perfect utterance of the Georgics, where the pen was fitted to the matter as the plough is to the furrow; and he must have said to himself with the thankfulness of a good man, "I was the first to bring the Muse into my country." We left the classroom quietly, conscious that we had been brushed by the wing of a great feeling, though perhaps I alone knew Cleric intimately enough to guess what that feeling was. In the evening, as I sat staring at my book, the fervor of his voice stirred through the quantities on the page before me. I was wondering whether that particular rocky strip of New England coast about which he had so often told me was Cleric's patria. Before I had got far with my reading I was disturbed by a knock. I hurried to the door and when I opened it saw a woman standing in the dark hall. "I expect you hardly know me, Jim." The voice seemed familiar, but I did not recognize her until she stepped into the light of my doorway and I beheld--Lena Lingard! She was so quietly conventionalized by city clothes that I might have passed her on the street without seeing her. Her black suit fitted her figure smoothly, and a black lace hat, with pale-blue f
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