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apter 14: In which seven bold men light a big bonfire; and the Pirate finds our hero a bad bargain. Chapter 15: In which our hero weathers a storm; and prepares for squalls. Chapter 16: In which a mutiny is quelled in a minute; and our Babu proves himself a man of war. Chapter 17: In which our hero finds himself among friends; and Colonel Clive prepares to astonish Angria. Chapter 18: In which Angria is astonished; and our hero begins to pay off old scores. Chapter 19: In which the scene changes; the dramatis personae remaining the same. Chapter 20: In which there are recognitions and explanations; and our hero meets one Coja Solomon, of Cossimbazar. Chapter 21: In which Coja Solomon finds dishonesty the worse policy; and a journey down the Hugli little to his liking. Chapter 22: In which is given a full, true, and particular account of the Battle of the Carts. Chapter 23: In which there are many moving events; and our hero finds himself a cadet of John Company. Chapter 24: In which the danger of judging by appearance is notably exemplified. Chapter 25: In which our hero embarks on a hazardous mission; and Monsieur Sinfray's khansaman makes a confession. Chapter 26: In which presence of mind is shown to be next best to absence of body. Chapter 27: In which an officer of the Nawab disappears; and Bulger reappears. Chapter 28: In which Captain Barker has cause to rue the day when he met Mr. Diggle; and our hero continues to wipe off old scores. Chapter 29: In which our hero does not win the Battle of Plassey: but, where all do well, gains as much glory as the rest. Chapter 30: In which Coja Solomon reappears: and gives our hero valuable information. Chapter 31: In which friends meet, and part: and our hero hints a proposal. Chapter 32: In which the curtain falls to the sound of wedding bells: and our hero comes to his own. Preface I have not attempted in this story to give a full account of the career of Lord Clive. That has been done by my old friend, Mr. Henty, in "With Clive in India." It has always seemed to me that a single book provides too narrow a canvas for the display of a life so full and varied as Clive's, and that a work of fiction is bound to suffer, structurally and in detail, from the co
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