itherto; the greatest intellect who, in our recorded world, has
left record of himself in the way of Literature. On the whole, I know
not such a power of vision, such a faculty of thought, if we take all
the characters of it, in any other man. Such a calmness of depth; placid
joyous strength; all things imaged in that great soul of his so true and
clear, as in a tranquil unfathomable sea! It has been said, that in the
constructing of Shakespeare's Dramas there is, apart from all other
"faculties" as they are called, an understanding manifested, equal to
that in Bacon's _Novum Organum_. That is true; and it is not a truth
that strikes every one. It would become more apparent if we tried, any
of us for himself, how, out of Shakespeare's dramatic materials, _we_
could fashion such a result! The built house seems all so fit,--everyway
as it should be, as if it came there by its own law and the nature of
things,--we forget the rude disorderly quarry it was shaped from. The
very perfection of the house, as if Nature herself had made it, hides
the builder's merit. Perfect, more perfect than any other man, we may
call Shakespeare in this: he discerns, knows as by instinct, what
condition he works under, what his materials are, what his own force and
its relation to them is. It is not a transitory glance of insight that
will suffice; it is deliberate illumination of the whole matter; it is a
calmly _seeing_ eye; a great intellect, in short. How a man, of some
wide thing that he has witnessed, will construct a narrative, what kind
of picture and delineation he will give of it--is the best measure you
could get of what intellect is in the man. Which circumstance is vital
and shall stand prominent; which unessential, fit to be suppressed;
where is the true _beginning_, the true sequence and ending? To find out
this, you task the whole force of insight that is in the man. He must
_understand_ the thing; according to the depth of his understanding,
will the fitness of his answer be. You will try him so. Does like join
itself to like; does the spirit of method stir in that confusion, so
that its embroilment becomes order? Can the man say, _Fiat lux_, Let
there be light; and out of chaos make a world? Precisely as there is
_light_ in himself, will he accomplish this.
Or indeed we may say again, it is in what I called Portrait-painting,
delineating of men and things, especially of men, that Shakespeare is
great. All the greatness of the
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