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ain't in no hurry, an' they's one joy I'd like to feel befo' that time comes. I'd love to hol' Sonny's baby in my ol' arms--his an' hers--an' to see thet the good ol' name o' Jones has had safe transportation into one mo' generation of honest folks. Sonny an' Mary Elizabeth are too sweet-hearted an' true not to be reproduced in detail, an' passed along. This here ol' oak tree thet gran'pa planted when I was a kid, why, it'd be a fine shady place for healthy girls an' boys to play under. [Illustration: "Seem like a person don't no mo' 'n realize he's a descendant befo' he's a' ancestor."] When I set here by myself on this po'ch so much these days an' think,--an' remember,--why I thess wonder over the passage o' time. I ricollec' thess ez well when gran'pa planted that oak saplin'. My pa he helt it stiddy an' I handed gran'pa the spade, an' we took off our hats whilst he repeated a Bible tex'. Yes, that ol' oak was religiously planted, an' we've tried not to offend its first principles in no ways du'in' the years we've nurtured it. An' when I set here an' look at it, an' consider its propensities,--it's got five limbs that seem thess constructed to hold swings,--maybe it's 'cause I was raised Presbyterian an' sort o' can't git shet o' the doctrine o' predestination, but I can't help seemin' to fo'-see them friendly family limbs all fulfillin' their promises. An' when I imagine myself a-settin' there with one little one a-climbin' over me while the rest swings away, why, seem like a person don't no mo' 'n realize he's a descendant befo' he's a' ancestor. End of Project Gutenberg's Sonny, A Christmas Guest, by Ruth McEnery Stuart *** END OF THIS PROJECT GUTENBERG EBOOK SONNY, A CHRISTMAS GUEST *** ***** This file should be named 11084.txt or 11084.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.net/1/1/0/8/11084/ Produced by Suzanne Shell, David Garcia and the Online Distributed Proofreading Team. Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying an
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