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Physic July 7, 1691[1]. In 1696 Dr. Garth zealously promoted the erecting the Dispensary, being an apartment, in the college for the relief of the sick poor, by giving them advice gratis, and dispensing medicines to them at low rates. This work of charity having exposed him, and many other of the most eminent Physicians to the envy and resentment of several persons of the same faculty, as well as Apothecaries, he ridiculed them with peculiar spirit, and vivacity, in his poem called the Dispensary in 6 Cantos; which, though it first stole into the world a little hastily, and incorrect, in the year 1669, yet bore in a few months three impressions, and was afterwards printed several times, with a dedication to Anthony Henley, esquire. This poem, gained our author great reputation; it is of the burlesque species, and executed with a degree of humour, hardly equal'd, unless in the Rape of the Lock. Our author's poetical character, joined with his skill in his profession, his agreeable conversation, and unaffected good nature, procured him vast practice, introduced him to the acquaintance, and established him in the esteem of most of the nobility and gentry. Much about the same time he gave a distinguishing instance of his profound knowledge in his profession, his perfect acquaintance with antiquity, and correct taste in Roman eloquence by a Latin oration, pronounced before the Faculty in Warwick-Lane, September 17, 1697, to the great satisfaction of the audience, and the raising his own reputation, as the college register testifies. Pieces of this kind are often composed with peculiar attention to the phrase, the sound of the periods in speaking, and their effect upon the ear; these advantages were by no means neglected in Dr. Garth's performance, but the sentiments, the spirit, and stile appeared to still greater advantage in the reading; and the applause with which it was received by its hearers, was echoed by those who perused it; this instance is the more singular, as few have been distinguished both as orators and poets. Cicero, who was not heard by his cotemporaries with greater applause, than his works are now read with admiration, attempted poetry without success; reputation in that kind of writing the Roman orator much desired, but never could compose a line to please himself, or any of his friends. Upon the death of Dryden in May 1701, by a very strange accident his burial[2] came to depend on the piety of
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