'pour les jeunes filles du
pensiannat'.

Beside the works mentioned in the above text, Gustave Droz wrote: 'Le
Cahier bleu de Mademoiselle Cibot (1868), 'Auteur d'une Source (1869),
'Un Paquet de Lettres' (1870), 'Babolain' (1872), 'Les Etangs' (1875),
'Tristesses et Sourires (1883), and L'Enfant (1884).

He died in Paris, October 22, 1895.

CAMILLE DOUCET
de l'Academie Francaise.

BOOK 1.

CHAPTER I. MY FIRST SUPPER PARTY

The devil take me if I can remember her name, notwithstanding I dearly
loved her, the charming girl!

It is strange how rich we find ourselves when we rummage in old drawers;
how many forgotten sighs, how many pretty little trinkets, broken,
old-fashioned, and dusty, we come across. But no matter. I was now
eighteen, and, upon my honor, very unsuspecting. It was in the arms
of that dear--I have her name at the tip of my tongue, it ended in
"ine"--it was in her arms, the dear child, that I murmured my first
words of love, while I was close to her rounded shoulder, which had a
pretty little mole, where I imprinted my first kiss. I adored her, and
she returned my affection.

I really think I should have married her, and that cheerfully, I can
assure you, if it had not been that on certain details of moral weakness
her past life inspired me with doubts, and her present with uneasiness.
No man is perfect; I was a trifle jealous.

Well, one evening--it was Christmas eve--I called to take her to supper
with a friend of mine whom I esteemed much, and who became an examining
magistrate, I do not know where, but he is now dead.

I went upstairs to the room of the sweet girl, and was quite surprised
to find her ready to start. She had on, I remember, a square-cut bodice,
a little too low to my taste, but it became her so well that when she
embraced me I was tempted to say: "I say, pet, suppose we remain here";
but she took my arm, humming a favorite air of hers, and we soon found
ourselves in the street.

You have experienced, have you not, this first joy of the youth who at
once becomes a man when he has his sweetheart on his arm? He trembles at
his boldness, and scents on the morrow the paternal rod; yet all these
fears are dissipated in the presence of the ineffable happiness of the
moment. He is free, he is a man, he loves, he is loved, he is conscious
that he is taking a forward step in life. He would like all Paris to see
him thus, yet he is af