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e resigned that attractive softness, in which principally consist the charm and weakness of woman. Conscious pride taught the German females to suppress every tender emotion that stood in competition with honor, and the first honor of the sex has ever been that of chastity. The sentiments and conduct of these high-spirited matrons may, at once, be considered as a cause, as an effect, and as a proof of the general character of the nation. Female courage, however it may be raised by fanaticism, or confirmed by habit, can be only a faint and imperfect imitation of the manly valor that distinguishes the age or country in which it may be found. [Footnote 57: Ovid employs two hundred lines in the research of places the most favorable to love. Above all, he considers the theatre as the best adapted to collect the beauties of Rome, and to melt them into tenderness and sensuality,] [Footnote 58: Tacit. Germ. iv. 61, 65.] [Footnote 59: The marriage present was a yoke of oxen, horses, and arms. See Germ. c. 18. Tacitus is somewhat too florid on the subject.] [Footnote 60: The change of exigere into exugere is a most excellent correction.] [Footnote 61: Tacit. Germ. c. 7. Plutarch in Mario. Before the wives of the Teutones destroyed themselves and their children, they had offered to surrender, on condition that they should be received as the slaves of the vestal virgins.] The religious system of the Germans (if the wild opinions of savages can deserve that name) was dictated by their wants, their fears, and their ignorance. [62] They adored the great visible objects and agents of nature, the Sun and the Moon, the Fire and the Earth; together with those imaginary deities, who were supposed to preside over the most important occupations of human life. They were persuaded, that, by some ridiculous arts of divination, they could discover the will of the superior beings, and that human sacrifices were the most precious and acceptable offering to their altars. Some applause has been hastily bestowed on the sublime notion, entertained by that people, of the Deity, whom they neither confined within the walls of the temple, nor represented by any human figure; but when we recollect, that the Germans were unskilled in architecture, and totally unacquainted with the art of sculpture, we shall readily assign the true reason of a scruple, which arose not so much from a superiority of reason, as from a want of ingenuity. The only te
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