s, or even conceive, the enthusiasm of arms and glory which they
kindled in the breast of their audience. Among a polished people, a
taste for poetry is rather an amusement of the fancy, than a passion
of the soul. And yet, when in calm retirement we peruse the combats
described by Homer or Tasso, we are insensibly seduced by the fiction,
and feel a momentary glow of martial ardor. But how faint, how cold is
the sensation which a peaceful mind can receive from solitary study! It
was in the hour of battle, or in the feast of victory, that the bards
celebrated the glory of the heroes of ancient days, the ancestors of
those warlike chieftains, who listened with transport to their artless
but animated strains. The view of arms and of danger heightened the
effect of the military song; and the passions which it tended to
excite, the desire of fame, and the contempt of death, were the habitual
sentiments of a German mind. [71] [711]

[Footnote 71: See Tacit. Germ. c. 3. Diod. Sicul. l. v. Strabo, l. iv.
p. 197. The classical reader may remember the rank of Demodocus in the
Phaeacian court, and the ardor infused by Tyrtaeus into the fainting
Spartans. Yet there is little probability that the Greeks and the
Germans were the same people. Much learned trifling might be spared, if
our antiquarians would condescend to reflect, that similar manners will
naturally be produced by similar situations.]

[Footnote 711: Besides these battle songs, the Germans sang at their
festival banquets, (Tac. Ann. i. 65,) and around the bodies of their
slain heroes. King Theodoric, of the tribe of the Goths, killed in a
battle against Attila, was honored by songs while he was borne from
the field of battle. Jornandes, c. 41. The same honor was paid to
the remains of Attila. Ibid. c. 49. According to some historians,
the Germans had songs also at their weddings; but this appears to me
inconsistent with their customs, in which marriage was no more than the
purchase of a wife. Besides, there is but one instance of this, that
of the Gothic king, Ataulph, who sang himself the nuptial hymn when
he espoused Placidia, sister of the emperors Arcadius and Honorius,
(Olympiodor. p. 8.) But this marriage was celebrated according to the
Roman rites, of which the nuptial songs formed a part. Adelung, p.
382.--G. Charlemagne is said to have collected the national songs of the
ancient Germans. Eginhard, Vit. Car. Mag.--M.]

Such was the situation, and such were the