literary-political quarrels, xxv-xxix;
embittered feelings, xxix-xxxi;
Carlyle's judgment, xxxi;
as an essayist, xxxii-xxxiii;
as a critic, xxxix ff.;
debt to Coleridge, xxxix-xl and notes _passim_;
union of taste and judgment, xl-xli;
catholicity of taste, xli-xlii;
narrowness of reading, xlii-xlv;
generalizing power, xlv-xlvi;
historical viewpoint, xlvi;
limitations, xlvii;
feeling for books, xlviii, 426;
on literature and life, xlix;
on "imagination," xlix;
on substance and form, l;
on poetry and metre, li;
scope of his criticism, lii-liii;
on Shakespeare, liii-lvi;
on Elizabethan dramatists, lvi;
on his contemporaries, lvii-lix;
his prose style, lix-lxix;
on diction, lxvi n.;
use of quotations, lxix;
influence, lxix-lxxiii;
his view of English character, 19-20;
on progress in the arts, 262, 358;
friendship with Lamb, 398-400, 417;
meeting with Coleridge and its effects, 277-300.
Hazlitt, W. C, xiv n.
"Heaven and Earth," 243.
Heine, Heinrich, liv, lxxi.
Henley, Ernest, xxxiii.
Henry VI, 365.
Herford, C. H., xlii n.
Hesiod, 11.
Heywood, T., 2, 4, 326, 422.
Hobbes, T., xii, xv, 327, 338, 424.
Hoby, T., 353.
Hogarth, W., 158, 212, 225, 303, 324, 381.
Holcroft, T., 285, 300, 304-5, 411, 417.
Holinshed, Ralph, 15, 346, 353-4, 430.
Homer, xlviii, 11, 104, 112, 115, 119, 189, 193, 253, 268, 270, 271-2,
273, 275, 352.
Hood, Tom, xxxvii.
Hook, Theodore, 393.
Hooker, Richard, 1, 350.
Horne, R. H., lxxii.
Howells, W. D., lxxi.
Hume, D., xii, 286-7, 327, 338, 411.
"Humphrey Clinker," 164, 385.
Hunt, Leigh, xvii, xxvi, xxxii, liii, lix, lxxi, 306-7, 311, 327, 330-1,
390, 404, 418, 426.
Huss, John, 211, 391.
Hutchinson, Lucy, 330, 425.
Iago, liv, 42, 72-6, 361, 365.
Imagination, 34;
in Shakespeare, 45;
in Milton, 104-5;
255-6.
Inchbald, Elizabeth, 311, 383, 418.
Irving, Edward, liii, lix, 341.
Irving, Washington, 397.
Jeffrey, Francis, xxxvi-xxxviii, xlv, lix, 244, 376, 404.
Jerome of Prague, 211, 391.
Jervas, C., 130-1, 375.
"John Bull," 212, 393.
"John Buncle," xliv, 302.
Johnson, S., xxxiv, xxxvi, lii, 34, 99, 107, 109, 145-52;
his prose style, 146-9, 186;
his character by Boswell, 150-2;
167, 189, 201,
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