1;
his democracy, 192;
defiance of convention, 192-4;
poet of nature, 195-6;
his philosophic vein, 196-8;
his appearance, voice, and manner, 198-9, 293-5;
his opinions of poets and painters, 199-202, 388-9;
"the child of disappointment," 203-4, 216, 242, 244, 284, 290-5;
meeting with Hazlitt, 293, 297, 311, 345, 386, 395, 413.

World, The, 152, 342, 379.

Wycherley, William, 97, 371.

Young, Edward, 109, 366.

Zanga, 76.

Zisca, John, 211, 391.

Transcriber's Notes:

Passages in italics are indicated by _underscore_.

Additional spacing after some of the quotes is intentional to indicate
both the end of a quotation and the beginning of a new paragraph as
presented in the original text.

The following misprints have been corrected:
"agan" corrected to "again" (page lxv)
"controul" corrected to "control" (page 18)
"Guttony" corrected to "Gluttony" (page 26)
"developement" corrected to "development" (page 78)
"Pharoah's" corrected to "Pharaoh's" (page 94)
"beween" corrected to "between" (page 95)
"theirs" corrected to "their" (page 133)
"atchieve" corrected to "achieve" (page 136)
"idomatic" corrected to "idiomatic" (page 170)
"distate" corrected to "distaste" (page 222)
"Woolstonecroft" corrected to "Wolstonecraft" (page 311)
"recal" corrected to "recall" (page 338)
"begininng" corrected to "beginning" (page 341)

Other than the corrections listed above, printer's inconsistencies in
spelling, punctuation, hyphenation, and ligature usage have been retained.

End of Project Gutenberg's Hazlitt on English Literature, by Jacob Zeitlin

*** END OF THIS PROJECT GUTENBERG EBOOK HAZLITT ON ENGLISH LITERATURE ***

***** This file should be named 31132.txt or 31132.zip *****
This and all associated files of various formats will be found in:
http://www.gutenberg.org/3/1/1/3/31132/

Produced by Charlene Taylor, Michael, Stephanie Eason, and
the Online Distributed Proofreading Team at
http://www.pgdp.net.

Updated editions will replace the previous one--the old editions
will be renamed.

Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties. Special rules,
set forth in the General Terms of Use part of this license, a