_me and thy crying self_. "Tempest," i, 2, 132.

_What! man_. "Macbeth," iv, 3, 208.

_Rosencrans_. The early editions consistently misspell this name
Rosencraus.

_Man delights not me_. "Hamlet," ii, 2, 321.

_a combination and a form_. "Hamlet," iii, 4, 60.

P. 39. _There is a willow_, etc. See "Hamlet," iv, 7, 167:

"There is a willow grows aslant a brook
That shows his hoar leaves in the glassy stream."

_Now this is an instance_, etc. Hazlitt elsewhere ascribes this
observation to Lamb. See p. 83, n.

_He's speaking now_. "Antony and Cleopatra," i, 5, 24.

_It is my birthday_. Ibid., iii, 13, 185.

P. 41. _nigh sphered in heaven_. Collins's "Ode on the Poetical
Character."

_to make society_. "Macbeth," iii, 1, 42.

P. 42. _with a little act_. "Othello," iii, 3, 328.

P. 43. _while rage_. "Troilus and Cressida," i, 3, 52.

_in their untroubled elements_, etc. Cf. Wordsworth's "Excursion," VI,
763-766:

"That glorious star
In its untroubled element will shine
As now it shines, when we are laid in earth
And safe from all our sorrows."

_Satan's address to the sun_. "Paradise Lost," IV, 31.

_Oh that I were_. "Richard II," iv, 1, 260.

P. 44. _His form_. "Paradise Lost," I, 591-594.

P. 45. _With what measure_. Mark, iv, 24; Luke, vi, 38.

_It glances_. "Midsummer Night's Dream," v, 1, 13.

_puts a girdle_. Ibid., ii, 1, 175.

_I ask_. "Troilus and Cressida," i, 3, 227.

_No man_. Ibid., iii, 3, 15.

P. 46. _Rouse yourself_. Ibid., iii, 3, 222.

_In Shakspeare, any other word_, etc. In the essay "On Application to
Study," in the "Plain Speaker," Hazlitt gives further illustrations of
this point.

P. 47. _Light thickens_. "Macbeth," iii, 2, 50.

_the business of the state_. "Othello," iv, 2, 166.

_Of ditties highly penned_. 1 "Henry IV," iii, 1, 209.

_And so_. "Two Gentlemen of Verona," ii, 7, 31.

_The universality of his genius_, etc. Cf. "On Gusto," "Round Table": "The
infinite quality of dramatic invention in Shakspeare takes from his gusto.
The power he delights to show is not intense, but discursive. He never
insists on anything as much as he might, except a quibble."

P. 48. _He wrote for the great vulgar_, etc. The same remark had been
made by both Pope and Johnson. See Nichol Smith's "Eighteenth Century
Essays on Shakespeare," pp, 49 and 141.

_the great vulgar and the small_. Cowley's "Translation of Horace's Ode
III, i."

_his d