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monplace as compared with the trumpet, but because of its great agility in the rendition of trills, repeated tones, etc., it is universally used in all sorts of combinations, even (as noted above) taking the place of the trumpet in many small orchestras. [Illustration: CORNET. Length, 13-3/4 in.] [Illustration: SLIDE TROMBONE. Length, 3 ft. 9 in. Range of tenor trombone (the size ordinarily used) E to b-flat'] 25. The pitch sounded by the _trombone_ is altered by lengthening or shortening the tube of which the instrument is constructed, this being possible because the lower part slides into the upper and can be pulled out to increase the total length of the tube through which the air passes. There are usually three _trombones_ in the orchestra, each playing a separate part, and the combination of this trio (with the _tuba_ reinforcing the bass part) is majestic and thrilling, being powerful enough to dominate the entire orchestra in _Fortissimo_ passages. But the _trombones_ are useful in soft passages also, and their tone when playing pianissimo is rich, serene, and sonorous. 26. The _bass tuba_ is a member of the saxhorn family[42] and supplies the lowest part of the brass choir, as the double-bass does in the string choir. It is used in both orchestra and band, being often supported in the larger bands by a still lower-toned member of the same family--the _contra-bass tuba_. The range of the _tuba_ is from [Illustration: GG] to [Illustration: g']. [Footnote 42: The _saxhorn_ was invented about 1840 by Adolphe Sax, a Frenchman. The _saxophone_ is the invention of the same man.] [Illustration: BASS TUBA. Length, 3 ft. 3 in.] [Illustration: BASS DRUM. Diameter about 2-1/2 ft.] [Illustration: CYMBALS. Diameter, 13-1/4 in.] 27. The _kettle-drum_ is the most important member of the percussion family and is always used either in pairs or in threes. The size of these instruments varies somewhat with the make, but when two drums are used the diameter is approximately that given under the illustration. The range of a pair of _drums_ is _one octave_ [Illustration: F f] and when but two drums are used the larger one takes the tones from F to about C of this range, and the smaller takes those from about B[flat] to F. The most common usage is to tune one drum to the _tonic_, and the other to _the dominant_ of the key in which the composition is written. The pitch of the _kettle-drum_ can be varied by increasing
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