"
"Is Mr. Pilkington here?"
"He appears to have run down on the afternoon train to have a look at
the show. He is catching the next train back to New York! Whenever I
meet him, he always seems to be dashing off to catch the next train
back to New York! Poor chap! Have you ever done a murder? If you
haven't, don't! I know exactly what it feels like, and it feels
rotten! After two minutes' conversation with Pilkington, I could
sympathize with Macbeth when he chatted with Banquo. He said I had
killed his play. He nearly wept, and he drew such a moving picture of
a poor helpless musical fantasy being lured into a dark alley by thugs
and there slaughtered that he almost had me in tears too. I felt like
a beetle-browed brute with a dripping knife and hands imbrued with
innocent gore."
"Poor Mr. Pilkington!'
"Once more you say exactly what he said, only more crisply. I
comforted him as well as I could, told him all was for the best and so
on, and he flung the box-office receipts in my face and said that the
piece was as bad a failure commercially as it was artistically. I
couldn't say anything to that, seeing what a house we've got to-night,
except to bid him look out to the horizon where the sun will shortly
shine. In other words, I told him that business was about to buck up
and that later on he would be going about the place with a sprained
wrist from clipping coupons. But he refused to be cheered, cursed me
some more for ruining his piece, and ended by begging me to buy his
share of it cheap."
"You aren't going to?"
"No, I am not--but simply and solely for the reason that, after that
fiasco in London, I raised my right hand--thus--and swore an oath that
never, as long as I lived, would I again put up a cent for a
production, were it the most obvious cinch on earth. I'm gun-shy. But
if he does happen to get hold of any one with a sporting disposition
and a few thousands to invest, that person will make a fortune. This
piece is going to be a gold-mine."
Jill looked at him in surprise. With anybody else but Wally she would
have attributed this confidence to author's vanity. But with Wally,
she felt, the fact that the piece, as played now, was almost entirely
his own work did not count. He viewed it dispassionately, and she
could not understand why, in the face of half-empty houses, he should
have such faith in it.
"But what makes you think so? We've been doing awfully badly so far."
Wally nodded.
"And
|