pals had had to learn parts in exactly half the time usually
given for that purpose, and the chorus, after spending five weeks
assimilating one set of steps and groupings, had been compelled to
forget them and rehearse an entirely new set. From the morning after
the first performance at Atlantic City, they had not left the theatre
except for sketchy half-hour meals.
Jill, standing listlessly in the wings while the scene-shifters
arranged the Second Act set, was aware of Wally approaching from the
direction of the pass-door.
"Miss Mariner, I believe?" said Wally. "I suppose you know you look
perfectly wonderful in that dress? All Rochester's talking about it,
and there is some idea of running excursion trains from Troy and
Utica. A great stir it has made!"
Jill smiled. Wally was like a tonic to her during these days of
overwork. He seemed to be entirely unaffected by the general
depression, a fact which he attributed himself to the happy accident
of being in a position to sit back and watch the others toil. But in
reality Jill knew that he was working as hard as any one. He was
working all the time, changing scenes, adding lines, tinkering with
lyrics, smoothing over principals whose nerves had become strained by
the incessant rehearsing, keeping within bounds Mr. Goble's passion
for being the big noise about the theatre. His cheerfulness was due to
the spirit that was in him, and Jill appreciated it. She had come to
feel very close to Wally since the driving rush of making over "The
Rose of America" had begun.
"They seemed quite calm to-night," she said. "I believe half of them
were asleep."
"They're always like that in Rochester. They cloak their deeper
feelings. They wear the mask. But you can tell from the glassy look in
their eyes that they are really seething inwardly. But what I came
round about was--(a)--to give you this letter...."
Jill took the letter, and glanced at the writing. It was from Uncle
Chris. She placed it on the axe over the fire-buckets for perusal
later.
"The man at the box-office gave it to me," said Wally, "when I looked
in there to find out how much money there was in the house to-night.
The sum was so small that he had to whisper it."
"I'm afraid the piece isn't a success."
"Nonsense! Of course it is! We're doing fine. That brings me to
section (b) of my discourse. I met poor old Pilkington in the lobby,
and he said exactly what you have just said, only at greater length.
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