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The Project Gutenberg eBook, The Bon Gaultier Ballads, by William Edmonstoune Aytoun, et al, Illustrated by Richard Doyle, et al This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: The Bon Gaultier Ballads Author: William Edmonstoune Aytoun Theodore Martin Release Date: January 28, 2007 [eBook #20477] Language: English Character set encoding: ISO-646-US (US-ASCII) ***START OF THE PROJECT GUTENBERG EBOOK THE BON GAULTIER BALLADS*** This eBook transcribed by Les Bowler THE BOOK OF BALLADS EDITED BY BON GAULTIER _WITH AN INTRODUCTION AND NOTES_ ILLUSTRATED BY DOYLE, LEECH, AND CROWQUILL NEW EDITION WILLIAM BLACKWOOD AND SONS EDINBURGH AND LONDON MCMIV _All Rights reserved_ PREFACE. A further edition of this book--the sixteenth--having been called for, I have been asked by the publishers to furnish a preface to it. For prefaces I have no love. Books should speak for themselves. Prefaces can scarcely be otherwise than egotistic, and one would not willingly add to the too numerous illustrations of this tendency with which the literature of the day abounds. I would much rather leave the volume with the simple "Envoy" which I wrote for it when the Bon Gaultier Ballads were first gathered into a volume. There the products of the dual authorship of Aytoun and myself were ascribed to the Bon Gaultier under whose editorial auspices they had for the most part seen the light. But my publishers tell me that people want to know why, and how, and by which of us these poems were written,--curiosity, complimentary, no doubt, but which it is by no means easy for the surviving bard to satisfy. It is sixty years since most of these verses were written with the light heart and fluent pen of youth, and with no thought of their surviving beyond the natural life of ephemeral magazine pieces of humour. After a long and very crowded life, of which literature has occupied the smal
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