it will not have ministers like the Rev. Elkan
Benjamin, who keeps four mistresses, it will depose the lump of flesh
who reigns over it and it will seize the hem of my coat and beseech me
to be its Rabbi."
"We should have a more orthodox Chief Rabbi, certainly," admitted
Guedalyah.
"Orthodox? Then and only then shall we have true Judaism in London and a
burst of literary splendor far exceeding that of the much overpraised
Spanish School, none of whom had that true lyrical gift which is like
the carol of the bird in the pairing season. O why have I not the bird's
privileges as well as its gift of song? Why can I not pair at will? Oh
the stupid Rabbis who forbade polygamy. Verily as the verse says: The
Law of Moses is perfect, enlightening the eyes--marriage, divorce, all
is regulated with the height of wisdom. Why must we adopt the stupid
customs of the heathen? At present I have not even one mate--but I
love--ah Guedalyah! I love! The women are so beautiful. You love the
women, hey?"
"I love my Rivkah," said Guedalyah. "A penny on each ginger-beer
bottle."
"Yes, but why haven't _I_ got a wife? Eh?" demanded the little poet
fiercely, his black eyes glittering. "I am a fine tall well-built
good-looking man. In Palestine and on the Continent all the girls would
go about sighing and casting sheep's eyes at me, for there the Jews love
poetry and literature. But here! I can go into a room with a maiden in
it and she makes herself unconscious of my presence. There is Reb
Shemuel's daughter--a fine beautiful virgin. I kiss her hand--and it is
ice to my lips. Ah, if I only had money! And money I should have, if
these English Jews were not so stupid and if they elected me Chief
Rabbi. Then I would marry--one, two, three maidens."
"Talk not such foolishness," said Guedalyah, laughing, for he thought
the poet jested. Pinchas saw his enthusiasm had carried him too far, but
his tongue was the most reckless of organs and often slipped into the
truth. He was a real poet with an extraordinary faculty for language and
a gift of unerring rhythm. He wrote after the mediaeval model--with a
profusion of acrostics and double rhyming--not with the bald
duplications of primitive Hebrew poetry. Intellectually he divined
things like a woman--with marvellous rapidity, shrewdness and
inaccuracy. He saw into people's souls through a dark refracting
suspiciousness. The same bent of mind, the same individuality of
distorted insight made h
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