ind. Look upon the Outside of a Dome, your Eye half surrounds it; look
up into the Inside, and at one Glance you have all the Prospect of it;
the entire Concavity falls into your Eye at once, the Sight being as the
Center that collects and gathers into it the Lines of the whole
Circumference: In a Square Pillar, the Sight often takes in but a fourth
Part of the Surface: and in a Square Concave, must move up and down to
the different Sides, before it is Master of all the inward Surface. For
this Reason, the Fancy is infinitely more struck with the View of the
open Air, and Skies, that passes through an Arch, than what comes
through a Square, or any other Figure. The Figure of the Rainbow does
not contribute less to its Magnificence, than the Colours to its Beauty,
as it is very poetically described by the Son of Sirach: Look upon the
Rainbow and praise him that made it; very beautiful it is in its
Brightness; it encompasses the Heavens with a glorious Circle, and the
Hands of the [most High [5]] have bended it.

Having thus spoken of that Greatness which affects the Mind in
Architecture, I might next shew the Pleasure that arises in the
Imagination from what appears new and beautiful in this Art; but as
every Beholder has naturally a greater Taste of these two Perfections in
every Building which offers it self to his View, than of that which I
have hitherto considered, I shall not trouble my Reader with any
Reflections upon it. It is sufficient for my present Purpose, to
observe, that there is nothing in this whole Art which pleases the
Imagination, but as it is Great, Uncommon, or Beautiful.

O.

[Footnote 1: Grounds]

[Footnote 2: two]

[Footnote 3: Protogenes's]

[Footnote 4: Dinocrates.]

[Footnote 5: [Almighty]]

* * * * *

No. 416. Friday, June 27, 1712. Addison.

'Quatenus hoc simile est oculis, quod mente videmus.'

Lucr.

I at first divided the Pleasures of the Imagination, into such as arise
from Objects that are actually before our Eyes, or that once entered in
at our Eyes, and are afterwards called up into the Mind either barely by
its own Operations, or on occasion of something without us, as Statues,
or Descriptions. We have already considered the first Division, and
shall therefore enter on the other, which for Distinction sake, I have
called the Secondary Pleasures of the Imagination. When