n their Opinions of the great
Beauties in those Poems, they have nevertheless each of them discovered
several Master-Strokes, which have escaped the Observation of the rest.
In the same manner, I question not, but any Writer who shall treat of
this Subject after me, may find several Beauties in Milton, which I have
not taken notice of. I must likewise observe, that as the greatest
Masters of Critical Learning differ among one another, as to some
particular Points in an Epic Poem, I have not bound my self scrupulously
to the Rules which any one of them has laid down upon that Art, but have
taken the Liberty sometimes to join with one, and sometimes with
another, and sometimes to differ from all of them, when I have thought
that the Reason of the thing was on my side.

We may consider the Beauties of the Fourth Book under three Heads. In
the first are those Pictures of Still-Life, which we meet with in the
Description of Eden, Paradise, Adams Bower, &c. In the next are the
Machines, which comprehend the Speeches and Behaviour of the good and
bad Angels. In the last is the Conduct of Adam and Eve, who are the
Principal Actors in the Poem.

In the Description of Paradise, the Poet has observed Aristotle's Rule
of lavishing all the Ornaments of Diction on the weak unactive Parts of
the Fable, which are not supported by the Beauty of Sentiments and
Characters. [2] Accordingly the Reader may observe, that the Expressions
are more florid and elaborate in these Descriptions, than in most other
Parts of the Poem. I must further add, that tho the Drawings of
Gardens, Rivers, Rainbows, and the like dead Pieces of Nature, are
justly censured in an Heroic Poem, when they run out into an unnecessary
length; the Description of Paradise would have been faulty, had not the
Poet been very particular in it, not only as it is the Scene of the
Principal Action, but as it is requisite to give us an Idea of that
Happiness from which our first Parents fell. The Plan of it is
wonderfully Beautiful, and formed upon the short Sketch which we have of
it in Holy Writ. Milton's Exuberance of Imagination has poured forth
such a Redundancy of Ornaments on this Seat of Happiness and Innocence,
that it would be endless to point out each Particular.

I must not quit this Head, without further observing, that there is
scarce a Speech of Adam or Eve in the whole Poem, wherein the Sentiments
and Allusions are not taken from this their delightful Habitation