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"Who cares more for your heart than your appearance," I answered gayly, and led him into the office. At sight of Dorothy he stopped abruptly, confounded, as a man who sees a diamond in a dust-heap. And a glow came over me as I said: "Miss Manners, here is Captain Paul, to whose courage and unselfishness I owe everything." "Captain," said Dorothy, graciously extending her hand, "Richard has many friends. You have put us all in your debt, and none deeper than his old playmate." The captain fairly devoured her with his eyes as she made him a curtsey. But he was never lacking in gallantry, and was as brave on such occasions as when all the dangers of the deep threatened him. With an elaborate movement he took Miss Manners's fingers and kissed them, and then swept the floor with a bow. "To have such a divinity in my debt, madam, is too much happiness for one man," he said. "I have done nothing to merit it. A lifetime were all too short to pay for such a favour." I had almost forgotten Miss Dolly the wayward, the mischievous. But she was before me now, her eyes sparkling, and biting her lips to keep down her laughter. Comyn turned to fleck the window with his handkerchief, while I was not a little put out at their mirth. But if John Paul observed it, he gave no sign. "Captain, I vow your manners are worthy of a Frenchman," said my Lord; "and yet I am given to understand you are a Scotchman." A shadow crossed the captain's face. "I was, sir," he said. "You were!" exclaimed Comyn, astonished; "and pray, what are you now, sir?" "Henceforth, my Lord," John Paul replied with vast ceremony: "I am an American, the compatriot of the beautiful Miss Manners!" "One thing I'll warrant, captain," said his Lordship, "that you are a wit." End of Project Gutenberg's Richard Carvel, Volume 4, by Winston Churchill *** END OF THIS PROJECT GUTENBERG EBOOK RICHARD CARVEL, VOLUME 4 *** ***** This file should be named 5368.txt or 5368.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.net/5/3/6/5368/ Produced by David Widger Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyrig
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