llowed her son with restless
compassion. He, beside the window, was hunting among the chairs and
lounges crowded in this corner of the little sitting-room.

He brought us a box of white wood. "See," said he, "'tis my wedding
bouquet."

And he emptied it on the table. Parma violets, lilacs, white camellias
and moss rolled out in slightly faded bunches, spreading a sweet smell
in which there breathed already a vague scent of death and corruption. A
violet fell on my knees. I picked it up.

He looked for a moment at the heap on the table.

"I keep none," said he: "I have too many reminders without them. Cursed
flowers!"

With one motion of his arm he swept them all up and cast them upon
the coals in the hearth. They shrivelled, crackled, grew limp and
discolored, and vanished in smoke.

"Now I am going back to my etching. Good-by, Fabien. Good-night,
mother."

Without turning his head, he left the room and went back to his studio.

I made a movement to follow him and bring him back.

Madame Lampron stopped me. "I will go myself," said she, "later--much
later."

We sat awhile in silence. When she saw me somewhat recovered from the
shock of my feelings she went on:

"You never have seen him like this, but I have seen it often. It is so
hard! I knew her whom he loved almost as soon as he, for he never hid
anything from me. You can judge from her portrait whether hers was not
the face to attract an artist like Sylvestre. I saw at once that it
was a trial, in which I could do nothing. They were very great people;
different from us, you know."

"They refused to let them marry?"

"Oh, no! Sylvestre did not ask; they never had the opportunity of
refusing. No, no; it was I. I said to him: 'Sylvestre, this can never
be-never!' He was convinced against his will. Then she spoke to her
parents on her own account. They carried her off, and there was an end
of it."

"He never saw her again."

"Never; he would not have wished it; and then she lived a very little
time. I went back there two years later, when they wanted to buy the
picture. We were still living in Italy. That was one of the hardest
hours of my life. I was afraid of their reproaches, and I did not feel
sure of myself. But no, they suffered for their daughter as I for
my son, and that brought us together. Still, I did not give up the
portrait; Sylvestre set too great store by it. He insists on keeping
it, feeding his eyes on it, reopening his wound day by