ck, just as I was crossing the Place de l'Opera in the
aforesaid cab, a voice hailed me:

"Monsieur Mouillard!"

I looked first to the right and then to the left, till, on a refuge, I
caught sight of M. Plumet struggling to attract my attention. I
stopped the cab, and a smile of satisfaction spread over M. Plumet's
countenance. He stepped off the refuge. I opened the cab-door. But a
brougham passed, and the horse pushed me back into the cab with his
nose. I opened the door a second time; another brougham came by; then a
third; finally two serried lines of traffic cut me off from M. Plumet,
who kept shouting something to me which the noise of the wheels and the
crowd prevented me from hearing. I signalled my despair to M. Plumet. He
rose on tiptoe. I could not hear any better.

Five minutes lost! Impossible to wait any longer! Besides, who could
tell that it was not a trap to prevent my departure, though in friendly
guise? I shuddered at the thought and shouted:

"Gare de Lyon, cabby, as fast as you can drive!"

My orders were obeyed. We got to the station to find the train made up
and ready to start, and I was the last to take a ticket.

I suppose M. Plumet managed to escape from his refuge.

GENEVA.

On my arrival I found, keeping order on the way outside the station, the
drollest policeman that ever stepped out of a comic opera. At home
we should have had to protect him against the boys; here he protects
others.

Well, it shows that I am really abroad.

I have only two hours to spare in this town. What shall I see? The
country; that is always beautiful, whereas many so-called "sights" are
not. I will make for the shores of the lake, for the spot where the
Rhone leaves it, to flow toward France. The Rhone, which is so muddy at
Avignon, is clean here; deep and clear as a creek of the sea. It rushes
along in a narrow blue torrent compressed between a quay and a line of
houses.

The river draws me after it. We leave the town together, and I am soon
in the midst of those market-gardens where the infant Topffer lost
himself, and, overtaken by nightfall, fell to making his famous analysis
of fear. The big pumping wheels still overtop the willows, and cast
their shadows over the lettuce-fields. In the distance rise slopes of
woodland, on Sundays the haunt of holiday-makers. The Rhone leaps and
eddies, singing over its gravel beds. Two trout-fishers are taxing all
their strength to pull a