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The Project Gutenberg EBook of The Ink-Stain, Complete, by Rene Bazin This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: The Ink-Stain, Complete Author: Rene Bazin Last Updated: March 3, 2009 Release Date: October 5, 2006 [EBook #3975] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK THE INK-STAIN, COMPLETE *** Produced by David Widger THE INK STAIN (Tache d'Encre) By RENE BAZIN Preface by E. LAVISSE RENE BAZIN RENE-NICHOLAS-MARIE BAZIN was born at Angers, December 26, 1853. He studied for the bar, became a lawyer and professor of jurisprudence at the Catholic University in his native city, and early contributed to 'Le Correspondant, L'Illustration, Journal des Debats, Revue du Deux Mondes,' etc. Although quietly writing fiction for the last fifteen years or so, he was not well known until the dawn of the twentieth century, when his moral studies of provincial life under the form of novels and romances became appreciated. He is a profound psychologist, a force in literature, and his style is very pure and attractive. He advocates resignation and the domestic virtues, yet his books are neither dull, nor tiresome, nor priggish; and as he has advanced in years and experience M. Bazin has shown an increasing ambition to deal with larger problems than are involved for instance, in the innocent love-affairs of 'Ma Tante Giron' (1886), a book which enraptured Ludovic Halevy. His novel, 'Une Tache d'Encre' (1888), a romance of scholarly life, was crowned by the French Academy, to which he was elected in 1903. It is safe to say that Bazin will never develop into an author dangerous to morals. His works may be put into the hands of cloistered virgins, and there are not, to my knowledge, many other contemporary French imaginative writers who could endure this stringent test. Some critics, indeed, while praising him, scoff at his chaste and surprising optimism; but it is refreshing to recommend to English readers, in these days of Realism and Naturalism, the works of a recent French writer which do not require maturity of years in the reader. 'Une Tache d'Encre', as I have said, was crowned by the French Academy; and Bazin received f
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