n very
dull. It would be much more of a discovery to find a book in which he
has not been serious--a philosopher, a moralist, and a poet. Even in the
Jumping Frog sketches, selected particularly for their inconsequence, the
under-vein of reflection and purpose is not lacking. The answer to Moral
Statistician--[In "Answers to Correspondents," included now in Sketches
New and Old. An extract from it, and from "A Strange Dream," will be
found in Appendix E.]--is fairly alive with human wisdom and righteous
wrath. The "Strange Dream," though ending in a joke, is aglow with
poetry. Webb's "advertisement" was playfully written, but it was
earnestly intended, and he writes Mark Twain down a moralist--not as a
discovery, but as a matter of course. The discoveries came along later,
when the author's fame as a humorist had dazzled the nations.

It is as well to say it here as anywhere, perhaps, that one reason why
Mark Twain found it difficult to be accepted seriously was the fact that
his personality was in itself so essentially humorous. His physiognomy,
his manner of speech, this movement, his mental attitude toward events
--all these were distinctly diverting. When we add to this that his
medium of expression was nearly always full of the quaint phrasing and
those surprising appositions which we recognize as amusing, it is not so
astonishing that his deeper, wiser, more serious purpose should be
overlooked. On the whole these unabated discoverers serve a purpose, if
only to make the rest of their species look somewhat deeper than the
comic phrase.

The little blue-and-gold volume which presented the Frog story and
twenty-six other sketches in covers is chiefly important to-day as being
Mark Twain's first book. The selections in it were made for a public
that had been too busy with a great war to learn discrimination, and most
of them have properly found oblivion. Fewer than a dozen of them were
included in his collected Sketches issued eight years later, and some
even of those might have been spared; also some that were added, for that
matter; but detailed literary criticism is not the province of this work.
The reader may investigate and judge for himself.

Clemens was pleased with the appearance of his book. To Bret Harte he
wrote:

The book is out and it is handsome. It is full of damnable errors of
grammar and deadly inconsistencies of spelling in the Frog sketch,
because I was away and did not read proofs; but be a f