orgue's arbitrary alterations of the text.

In turning over another manuscript, I was caught by the name Charpillon,
which every reader of the Memoirs will remember as the name of the harpy
by whom Casanova suffered so much in London, in 1763-4. This manuscript
begins by saying: 'I have been in London for six months and have been to
see them (that is, the mother and daughter) in their own house,' where he
finds nothing but 'swindlers, who cause all who go there to lose their
money in gambling.' This manuscript adds some details to the story told
in the ninth and tenth volumes of the Memoirs, and refers to the meeting
with the Charpillons four and a half years before, described in Volume
V., pages 428-485. It is written in a tone of great indignation.
Elsewhere, I found a letter written by Casanova, but not signed,
referring to an anonymous letter which he had received in reference to
the Charpillons, and ending: 'My handwriting is known.' It was not until
the last that I came upon great bundles of letters addressed to Casanova,
and so carefully preserved that little scraps of paper, on which
postscripts are written, are still in their places. One still sees the
seals on the backs of many of the letters, on paper which has slightly
yellowed with age, leaving the ink, however, almost always fresh. They
come from Venice, Paris, Rome, Prague, Bayreuth, The Hague, Genoa, Fiume,
Trieste, etc., and are addressed to as many places, often poste restante.
Many are letters from women, some in beautiful handwriting, on thick
paper; others on scraps of paper, in painful hands, ill-spelt. A Countess
writes pitifully, imploring help; one protests her love, in spite of the
'many chagrins' he has caused her; another asks 'how they are to live
together'; another laments that a report has gone about that she is
secretly living with him, which may harm his reputation. Some are in
French, more in Italian. 'Mon cher Giacometto', writes one woman, in
French; 'Carissimo a Amatissimo', writes another, in Italian. These
letters from women are in some confusion, and are in need of a good deal
of sorting over and rearranging before their full extent can be realised.
Thus I found letters in the same handwriting separated by letters in
other handwritings; many are unsigned, or signed only by a single
initial; many are undated, or dated only with the day of the week or
month. There are a great many letters, dating from 1779 to 1786, signed
'Francesca