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to me that I actually remained on the same side of the door as Raffles. "Reel home-grown, low-down, unwashed Whitechapel!" I had heard Maguire remark within. "Blamed if our Bowery boys ain't cock-angels to scum like this. Ah, you biter, I wouldn't soil my knuckles on your ugly face; but if I had my thick boots on I'd dance the soul out of your carcass for two cents!" After this it required less courage to join the others in the inner room; and for some moments even I failed to identify the truly repulsive object about which I found them grouped. There was no false hair upon the face, but it was as black as any sweep's. The clothes, on the other hand, were new to me, though older and more pestiferous in themselves than most worn by Raffles for professional purposes. And at first, as I say, I was far from sure whether it was Raffles at all; but I remembered the crash that cut short our talk over the telephone; and this inanimate heap of rags was lying directly underneath a wall instrument, with the receiver dangling over him. "Think you know him?" asked the sallow secretary, as I stooped and peered with my heart in my boots. "Good Lord, no! I only wanted to see if he was dead," I explained, having satisfied myself that it was really Raffles, and that Raffles was really insensible. "But what on earth has happened?" I asked in my turn. "That's what I want to know," whined the person in sequins, who had contributed various ejaculations unworthy of report, and finally subsided behind an ostentatious fan. "I should judge," observed the secretary, "that it's for Mr. Maguire to say, or not to say, just as he darn pleases." But the celebrated Barney stood upon a Persian hearth-rug, beaming upon us all in a triumph too delicious for immediate translation into words. The room was furnished as a study, and most artistically furnished, if you consider outlandish shapes in fumed oak artistic. There was nothing of the traditional prize-fighter about Barney Maguire, except his vocabulary and his lower jaw. I had seen over his house already, and it was fitted and decorated throughout by a high-art firm which exhibits just such a room as that which was the scene of our tragedietta. The person in the sequins lay glistening like a landed salmon in a quaint chair of enormous nails and tapestry compact. The secretary leaned against an escritoire with huge hinges of beaten metal. The pugilist's own background pres
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