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nce of lifting them, and if Guillemard does so in the first instance. It's by no means certain that he will. But it is pretty certain to be a lively night for him and his pals--and a vulnerable one for the best bedroom!" "Capital!" said Raffles, throwing coils of smoke between his smiles. "Still, if it's a dinner-party, the hostess won't leave her jewels upstairs. She'll wear them, my boy." "Not all of them, Raffles; she has far too many for that. Besides, it isn't an ordinary dinner-party; they say Mrs. Guillemard is generally the only lady there, and that she's quite charming in herself. Now, no charming woman would clap on all sail in jewels for a roomful of fox-hunters." "It depends what jewels she has." "Well, she might wear her rope of pearls." "I should have said so." "And, of course, her rings." "Exactly, Bunny." "But not necessarily her diamond tiara--" "Has she got one?" "--and certainly not her emerald and diamond necklace on top of all!" Raffles snatched the Sullivan from his lips, and his eyes burned like its end. "Bunny, do you mean to tell me there are all these things?" "Of course I do," said I. "They are rich people, and he's not such a brute as to spend everything on his stable. Her jewels are as much the talk as his hunters. My friends told me all about both the other day when I was down making inquiries. They thought my curiosity as natural as my wish for a few snapshots of the old place. In their opinion the emerald necklace alone must be worth thousands of pounds." Raffles rubbed his hands in playful pantomime. "I only hope you didn't ask too many questions, Bunny! But if your friends are such old friends, you will never enter their heads when they hear what has happened, unless you are seen down there on the night, which might be fatal. Your approach will require some thought: if you like I can work out the shot for you. I shall go down independently, and the best thing may be to meet outside the house itself on the night of nights. But from that moment I am in your hands." And on these refreshing lines our plan of campaign was gradually developed and elaborated into that finished study on which Raffles would rely like any artist of the footlights. None were more capable than he of coping with the occasion as it rose, of rising himself with the emergency of the moment, of snatching a victory from the very dust of defeat. Yet, for choice, every
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