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ul creature pines under the slow torment of constant self-reproach. To the mistress of the house, and to all who inhabit it or enter it, she is known as Grace Roseberry, the orphan relative by marriage of Lady Janet Roy. To herself alone she is known as the outcast of the London streets; the inmate of the London Refuge; the lost woman who has stolen her way back--after vainly trying to fight her way back--to Home and Name. There she sits in the grim shadow of her own terrible secret, disguised in another person's identity, and established in another person's place. Mercy Merrick had only to dare, and to become Grace Roseberry if she pleased. She has dared, and she has been Grace Roseberry for nearly four months past. At this moment, while Lady Janet is talking to Horace Holmcroft, something that has passed between them has set her thinking of the day when she took the first fatal step which committed her to the fraud. How marvelously easy of accomplishment the act of personation had been! At first sight Lady Janet had yielded to the fascination of the noble and interesting face. No need to present the stolen letter; no need to repeat the ready-made story. The old lady had put the letter aside unopened, and had stopped the story at the first words. "Your face is your introduction, my dear; your father can say nothing for you which you have not already said for yourself." There was the welcome which established her firmly in her false identity at the outset. Thanks to her own experience, and thanks to the "Journal" of events at Rome, questions about her life in Canada and questions about Colonel Roseberry's illness found her ready with answers which (even if suspicion had existed) would have disarmed suspicion on the spot. While the true Grace was slowly and painfully winning her way back to life on her bed in a German hospital, the false Grace was presented to Lady Janet's friends as the relative by marriage of the Mistress of Mablethorpe House. From that time forward nothing had happened to rouse in her the faintest suspicion that Grace Roseberry was other than a dead-and-buried woman. So far as she now knew--so far as any one now knew--she might live out her life in perfect security (if her conscience would let her), respected, distinguished, and beloved, in the position which she had usurped. She rose abruptly from the table. The effort of her life was to shake herself free of the remembrances which haunte
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