them, developed a new
literature. The inspiration which humanism had given to scholars of
the fifteenth and sixteenth centuries had a tendency to develop a
literary spirit among all classes of students. The products of the
Italian literature, however, brought out through the inspiration of
humanistic studies, were not great masterpieces. While the number and
variety were considerable, the quality was inferior when the
intellectual power of the times is considered. The great force of
Italian intellect had been directed toward classical manuscripts, and
hence failed to develop a literature that had real originality.
Perhaps among the few great Italian writers of these times {368} may be
mentioned Guicciardini and Machiavelli. The former wrote a history of
Italy, and the latter is rendered immortal by his _Prince_.
Guicciardini was a native of Florence, who had an important position in
the service of Leo X. As professor of jurisprudence, ambassador to
Spain, and subsequently minister of Leo X, governor of Modena,
lieutenant-general of the pope in the campaign against the French,
president of the Romagna and governor of Bologna, he had abundant
opportunity for the study of the political conditions of Italy. He is
memorable for his admirable history of Italy, as a talented Florentine
and as a member of the Medicean party.
Machiavelli, in his _Prince_, desired to picture the type of rulers
needed to meet the demands of Italy at the time he wrote. It is a
picture of imperialism and, indeed, of despotism. The prince or ruler
was in no way obliged to consider the feelings and rights of
individuals. Machiavelli said it was not necessary that a prince
should be moral, humane, religious, or just; indeed, that if he had
these qualities and displayed them they would harm him, but if he were
new to his place in the principality he might seem to have them. It
would be as useful to him to keep the path of rectitude when this was
not too inconvenient as to know how to deviate from it when
circumstances dictate. In other words, a prudent prince cannot and
ought not really to keep his word except when he can do it without
injury to himself.
Among other Italian writers may be mentioned Boiardo, on account of his
_Orlando Innamorato_, and Ariosto, who wrote _Orlando Furioso_. Upon
the whole, the writings of the period were not worthy of its
intellectual development, although Torquato Tasso, in his _Jerusalem
Delivered_, p
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