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fects in exciting imitation. George Barnwell is a hideous representation of the passions, and therefore beneficial. There are many sublime objects which do not depend upon terror, or at least upon false associations of terror, for their effect; and there are many sublime thoughts, which have no connection with violent passions or false ideas of morality. These are what we should select, if possible, to raise, without inflating, the imagination. The view of the ocean, of the setting or the rising sun, the great and bold scenes of nature, affects the mind with sublime pleasure. All the objects which suggest ideas of vast space, or power, of the infinite duration of time, of the decay of the monuments of ancient grandeur, or of the master-pieces of human art and industry, have power to raise sublime sensations: but we should consider, that they raise this pleasure only by suggesting certain ideas; those who have not the previous ideas, will not feel the pleasure. We should not, therefore, expect that children should admire objects which do not excite any ideas in their minds; we should wait till they have acquired the necessary knowledge, and we should not injudiciously familiarize them with these objects. Simplicity is a source of the sublime, peculiarly suited to children; accuracy of observation and distinctness of perception, are essential to this species of the sublime. In Percy's collection of ancient ballads, and in the modern poems of the Ayreshire ploughman, we may see many instances of the effect of simplicity. To preserve our pupil's taste from a false love of ornament, he must avoid, either in books or in conversation, all verbose and turgid descriptions, the use of words and epithets which only fill up the measure of a line. When a child sees any new object, or feels any new sensation, we should assist him with appropriate words to express his thoughts and feelings: when the impression is fresh in his mind, the association, with the precise descriptive epithets, can be made with most certainty. As soon as a child has acquired a sufficient stock of words and ideas, he should be from time to time exercised in description; we should encourage him to give an exact account of his own feelings in his own words. Those parents who have been used to elegant, will not, perhaps, be satisfied with the plain, descriptions of unpractised pupils; but they should not be fastidious; they should rather be content with an
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