FREE BOOKS

Author's List




PREV.   NEXT  
|<   4   5   6   7   8   9   10   11   12   13   14   15   16   17   18   19   20   21   22   23   24   25   26   27   28  
29   30   31   32   33   34   35   36   37   38   39   40   41   42   43   44   45   46   47   48   49   50   51   52   53   >>   >|  
led, and at last, on April 28, 1904, the judgment in her favor was satisfied through the delivery of the pictures to her, as her absolute property, beyond dispute, cavil or further question. I have deemed it proper to make this explanation, as it is through my connection as counsel for Mrs. Moran throughout this litigation that the occasion has presented itself for this publication, and of giving to the public the opportunity to examine and enjoy, to the fullest extent, these great pictures at the Metropolitan Museum of Art. It may be added that although these paintings have occasionally been viewed by artists, they have never before been publicly exhibited as a series except for a very short period in the year 1900 in Philadelphia and in Washington. During this time they received the highest encomiums from critics and the press, and were pronounced the most notable series of historic pictures ever painted in this country. While each one of the series is a master work, it is as a group that the greatest interest attaches to them, and it was Mr. Moran's desire, and it is also that of the present owner, that they should, if possible, never be separated. With reference to the exhibition of these paintings at the Metropolitan Museum of Art, I quote from a full page illustrated article which appeared in the New York _Herald_ on Sunday, November 6, 1904, as follows: "The exhibition of these pictures of scenes connected with the history of the United States is not only an artistic but an educational event. Edward Moran was probably the strongest marine painter of the United States. * * * No more artistically valuable and educationally instructive exhibit has been made in New York than that of these paintings of Edward Moran. It is to be hoped that the school children of the city will be taken to see and study them. The public has already testified to its appreciation of the exhibition by its large attendance." It may be asked why the artist limited or extended the series to the number "13." This was done with a purpose. This number seems to have been interwoven in many particulars with the history of our country. The original colonies were thirteen, and also the first States; the first order for the creation of a navy was for thirteen war ships; there were and still are thirteen stripes, and there were originally thirteen stars, on our flag; on our coat of arms a mailed han
PREV.   NEXT  
|<   4   5   6   7   8   9   10   11   12   13   14   15   16   17   18   19   20   21   22   23   24   25   26   27   28  
29   30   31   32   33   34   35   36   37   38   39   40   41   42   43   44   45   46   47   48   49   50   51   52   53   >>   >|  



Top keywords:

thirteen

 
series
 

pictures

 
exhibition
 

paintings

 

States

 
Edward
 

United

 

history

 

public


Metropolitan

 
Museum
 

country

 

number

 

valuable

 

educationally

 

marine

 
strongest
 

artistically

 

educational


painter

 

Herald

 

Sunday

 

November

 

appeared

 
article
 
instructive
 

artistic

 
mailed
 

scenes


connected
 

purpose

 

extended

 

artist

 
limited
 

interwoven

 

colonies

 

creation

 
original
 

particulars


stripes

 
children
 

school

 

illustrated

 

attendance

 
appreciation
 

originally

 
testified
 

exhibit

 

publication