ainting, and after the usual hardships and
struggle for recognition, the fate of all young artists, he finally was
enabled to open a little studio in a garret over a cigar store with an
entrance up a back alley. The works which emanated from there attracted
such wide attention that he gradually rose to fame and fortune. His
pictures were accepted by all the American academies, as well as the
London Royal Academy and the Paris Salon, and he received many medals
and awards. He was a member of the Water-Color Societies of this country
and of London, of the Philadelphia Academy of Fine Arts, an Associate of
the National Academy of Design, also Vice-President of the Lotos Club
and connected with many other artistic and social organizations and
societies.
Why his artistic tastes should have been particularly directed to
marine painting can be demonstrated just as little as the possession of
his extraordinary talents at all; and yet for the former a possible
solution may be found in the fact that his childish imagination and
predilections may have been moulded through his sea-coast experiences in
old Lancashire, that picturesque maritime county of northwestern
England, which is bounded on the west by the Irish Sea. At all events
Edward Moran loved the sea, and this love guided every stroke of his
brush in depicting his favorite element. No artist in this country, or
perhaps in the world, has ever painted such water, and it was not many
years after his first successes in Philadelphia that his fame spread
throughout the United States, and he was easily recognized as its first
marine painter. Fame and prosperity, however, did not turn his head, as
they so frequently do with little men, but never with men of true
genius. On the contrary, he worked with redoubled zeal and industry as
he grew older, so that the number of works which he produced is
marvellous.
Among his famous paintings, besides the thirteen herein described, may
be mentioned the following:
"Virginia Sands."
"A Squally Day off Newport."
"Massachusetts Bay."
"New York Harbor."
"The Yacht Race."
"The Battle of Svold."
"Philadelphia from the New Park."
"Minot's Ledge Light-House."
"White Cliffs of Albion."
"Off Block Island."
"Return of the Fishers."
"Outward Bound."
"Low Tide."
"The Gathering Storm."
"Sentinel Rock, Maine."
"Toilers of the Sea."
"Launching of the Life-Boat." (1865.)
"View on Delaware Bay." (1867.)
"
|