and it had no furniture but the tatters of some portraits, whose frame
and substance had been nearly devoured by ants; but it was weather-tight
and clean. The saloon to the right constituted the family dwelling.
Part of its roof had been repaired with a thatch of palm-leaves, which
formed a singular junction with the portion of the ceiling which
remained, and which exhibited a blue sky-ground, with gilt stars. An
alcove had been turned into the fireplace, necessary for cooking. The
kitchen corner was partitioned off from the sitting-room by a splendid
folding screen of Oriental workmanship, exhibiting birds-of-paradise,
and the blue rivers and gilt pagodas of China. The other partitions
were the work of Bellair's own hands, woven of bamboo and long grass,
dyed with the vegetable dyes, with whose mysteries he was, like a true
African, acquainted. The dinner-table was a marble slab, which still
remained cramped to the wall, as when it had been covered with plate, or
with ladies' work-boxes. The seats were benches, hewn by Bellair's axe.
On the shelves and dresser of unpainted wood were ranged together
porcelain dishes from Dresden, and calabashes from the garden; wooden
spoons, and knives with enamelled handles. A harp, with its strings
broken, and its gilding tarnished, stood in one corner; and musical
instruments of Congo origin hung against the wall. It was altogether a
curious medley of European and African civilisation, brought together
amidst the ruins of a West Indian revolution.
The young people did not remain long in the house, however tempting its
coolness might have appeared. At one side of the mansion was the
colonnade, which engrossed the architect's attention; on the other
bloomed the garden, offering temptations which none could resist--least
of all those who were lovers. Moyse and his Genifrede stepped first to
the door which looked out upon the wilderness of flowers, and were soon
lost sight of among the shrubs.
Genifrede had her sketch-book in her hand. She and her sister were here
partly for the sake of a drawing lesson from Azua; and perhaps she had
some idea of taking a sketch during this walk with Moyse. He snatched
the book from her, however, and flung it through the window of a
garden-house which they passed, saying--
"You can draw while I am away. For this hour you are all my own."
"And when will you be away? Wherever you go, I will follow you. If we
once part, we shall not
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