orld.
PHA. Good. Why "humble" breeches, Argurion?
ARG. Humble! because they use to be sat upon; besides, if you tie
them not up, their property is to fall down about your heels.
MER. She has worn the breeches, it seems, which have done so.
PHA. But why "white-liver'd?"
ANA. Why! are not their linings white? Besides, when they come
in swaggering company, and will pocket up any thing, may they not
properly be said to be white-liver'd?
PHA. O yes, we must not deny it. And why "barbarous," Hedon?
HED. Barbarous! because commonly, when you have worn your
breeches sufficiently, you give them to your barber.
AMO. That's good; but how "Pythagorical?"
PHI. Ay, Amorphus, why Pythagorical breeches?
AMO. O most kindly of all; 'tis a conceit of that fortune, I am
bold to hug my brain for.
PHA. How is it, exquisite Amorphus?
AMO. O, I am rapt with it, 'tis so fit, so proper, so happy--
PHI. Nay, do not rack us thus.
AMO. I never truly relish'd myself before. Give me your ears.
Breeches Pythagorical, by reason of their transmigration into
several shapes.
MOR. Most rare, in sweet troth. Marry this young gentleman, for
his well-spoken--
PHA. Ay, why "well-spoken" breeches?
ASO. Well-spoken! Marry, well-spoken, because--whatsoever they
speak is well-taken; and whatsoever is well-taken is well-spoken.
MOR. Excellent! believe me.
ASO. Not so, ladies, neither.
HED. But why breeches, now?
PHA. Breeches, "quasi" bear-riches; when a gallant bears all his
riches in his breeches.
AMO. Most fortunately etymologised.
PHA. 'Nay, we have another sport afore this, of A thing done, and
who did it, etc.
PHI. Ay, good Phantaste, let's have that: distribute the places.
PHA. Why, I imagine, A thing done; Hedon thinks, who did it;
Moria, with what it was done; Anaides, where it was done; Argurion,
when it was done; Amorphus, for what cause was it done; you,
Philautia, what followed upon the doing of it; and this gentleman,
who would have done it better. What? is it conceived about?
ALL. Yes, yes.
PHA. Then speak you, sir. "Who would have done it better?"
ASO. How! does it begin at me?
PHA. Yes, sir: this play is called the Crab, it goes backward.
ASO. May I not name myself?
PHI. If you please, sir, and dare abide
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